GUEST POST and GIVEAWAY
(Faye Longchamp Book 9)
(Faye Longchamp Book 9)
by Mary Anna Evans
Isolation is the ninth book in the Faye Longchamp series by Mary Anna Evans. Also available: Artifacts, Relics, Effigies, Findings, Floodgates, Strangers, Plunder, and Rituals.
Isolation is currently on tour with Partners in Crime Virtual Book Tours. The tour stops here today for a guest post by the author, an excerpt, and a giveaway. Please be sure to visit the other tour stops as well.
Archaeologist Faye Longchamp-Mantooth has dug herself a deep hole and she can’t make her way out of it. As she struggles to recover from a shattering personal loss, she sees that everyone she loves is trying to reach out to her. If only she could reach back. Instead she’s out digging holes all over her home, the Florida island of Joyeuse.
In their old plantation home, Joe Wolf Mantooth is surrounded by family - Faye, the wife he loves; their toddler son he adores; and his father, who hasn’t gotten around to telling him how long he’s been out of prison or how he got there - yet Joe has never felt so helpless or alone.
Then a close friend at the local marina is brutally murdered, the first in a string of crimes against women that rocks Micco County. Joe, desperate to help Faye, realizes she is in danger from both her inner demons and someone who has breached the island’s isolation. Local law and environmental officials say they want to help, but to Faye and Joe they feel more like invaders. A struggling Faye reaches back over a century into her family’s history for clues. And all the while, danger snakes further into their lives, threatening the people they love, their cherished home, even the very ground - some of it poisoned - beneath their feet.
Fish know which docks are owned by people who are generous with their table scraps. In the evenings, they gather around wooden posts that vibrate with the footsteps of a human carrying food. They wait, knowing that potato peels and pork chop bones will soon rain from the sky. They race to skim the surface for floating bread crumbs. They dive, nibbling at each half-eaten hot dog as it sinks. When a restaurant, even a shabby dive where hungry people clean their plates, throws its detritus off one particular dock every night, fish for miles around know all about it.
On this night, the fish wait below a dock that has always offered a nightly feast. Tonight, they feel the vibrations of familiar feet. The food falls into the water, as always, and the sound of a stainless steel spoon scraping the bottom of a stainless steel pot passes from the air above to the water below. Everything is as it has been, until a sharp noise jabs into the water hard enough for the fish to hear it. The spoon falls.
The spoon is large, designed for a commercial kitchen, so it hits the water with a smack that can be heard both above and below the surface. A scream falls into the fishes’ underworld along with the spoon.
A big pot, with food scraps still clinging to its inner surface, hits the water an instant later. Only creatures with the agility of the waiting fish could scatter quickly enough to avoid being hit.
After another heartbeat, something else falls among them, something bigger and softer. Soon there are two somethings, both with arms and legs and feet and hands, one that gurgles and another that leaves when the gurgling stops.
The thing that stays behind is a human body. As it settles in the water, tiny minnows nestle in the long hair that floats around it like seaweed. Catfish explore its ten long fingers with their tentacled mouths. None of them associate its two bare feet with the sprightly vibrations that had always signaled a rain of food.
Before long, predators appear, drawn by the smell of blood.
Joe Wolf Mantooth was worried about his wife.
Faye was neglecting their business. She was neglecting her health. He wanted to say she was neglecting her children, but it would kill her to think he believed such a thing, so he spent a lot of time telling that part of himself to be quiet. He also wanted to say she was neglecting him, but it would kill him to believe it, so he spent the rest of his time telling that other part of himself to be quiet. Or to shrivel up and die. Because if he ever lost Faye, that’s what Joe intended to do. Shrivel up and die.
The children seemed oblivious to the changes in their mother.
Michael, at two, saw nothing strange about her leaving the house every morning with her archaeological tools. She had always done that.
Amande was away from home, doing an immersion course in Spanish at a camp situated so high in the Appalachians that she’d asked for heavy sweaters long before Halloween. Faye had been too distracted to put them in the mail. Joe had shopped for them, boxed them up, and sent them off. Faye seemed to have forgotten that her daughter had ever said, “I’m cold.”
Amande was perceptive for seventeen. If she hadn’t noticed that Joe had been doing all the talking for the last month, she would notice soon. Lately, when faced with a call from her daughter, Faye murmured a few distracted words before pretending that Michael needed a diaper change. If Faye didn’t come up with another excuse to get off the phone, Amande might soon call 911 and ask the paramedics to go check out her brother’s chronic diarrhea.
Though Joe did speak to Amande when she called, surely she had noticed by now that he said exactly nothing. What was he going to say?
The closest thing to the truth was “Your mother’s heart fell into a deep hole when she miscarried your baby sister, and I’m starting to worry that we may never see it again,” but Joe was keeping his silence. Faye had forbidden him to tell Amande that there wasn’t going to be a baby sister.
Was this rational? Did Faye think that her daughter was never going to fly home to Florida, bubbling with excitement over her Appalachian adventure and the coming baby?
If she did, it was yet more evidence supporting Joe’s fear that Faye’s mind wasn’t right these days. Every morning brought fresh proof of that not-rightness as she walked away from him…to do what? As best he could tell, she was carefully excavating random sites all over their island. If she’d found anything worth the effort, he sure didn’t know about it.
In the meantime, Joe sat in the house, face-to-face with a serious problem. This problem was almost as tall and broad as Joe. His hair had once been as dark. His skin was the same red- brown, only deeper. This was a problem Joe had been trying to outrun since he was eighteen years old.
“Try this spot.”
Faye Longchamp-Mantooth believed in intuition. It had always guided her work as an archaeologist. After she’d gathered facts about a site’s history, inspected the contours of the land, and scoured old photographs, she always checked her gut response before excavating. Her gut was often right. It was only recently, however, that her gut had begun speaking out loud and in English. Lately, her gut had been urging her to skip the boring research and go straight for the digging.
“Have you ever excavated here before?” its voice asked. Faye’s answer was no.
“Then try this spot.”
Every day, Joyeuse Island sported more shallow pits that had yielded nothing. Of course, they had yielded nothing. Faye had failed to do her homework. But going to the library or sitting at her computer would require her to be still and think. Thinking was painful these days, so she skipped it.
“Okay,” she said, not pleased to see that she’d begun answering the voice out loud, “I’ll give it a shot. But I don’t think there’s anything here.”
Her hand was remarkably steady for the hand of a woman who’d been hearing voices for a month. She used it to guide her trowel, removing a thin layer of soil.
She would have known this old trowel in the dark. Her fingers had rubbed the finish off its wooden handle in a pattern that could match no hand but hers. Since God hadn’t seen fit to let her grow the pointy metal hand she needed for her work, she’d chosen this one tool to mold into a part of herself.
Faye was working in sandy soil as familiar as the trowel. It was her own. She’d been uncovering the secrets of Joyeuse Island since she was old enough to walk, and she would never come to the end of them. As she grew older, she saw the need to mete out her time wisely, but she rebelled against it. The past would keep most of its secrets, and this made her angry. Faye didn’t know where to dig, because she didn’t know what she was trying to find. It would help if the voice ever offered a less hazy rationale for ordering her out of the house. All it said was “You can find the truth. Don’t let this island keep its secrets from you.”
Her frenetic busyness was an antidote for the times the voice tiptoed into ground that shook beneath her feet. It crept into dangerous territory and then beckoned her to follow. It asked her to believe that she was to blame for the baby’s death, for the mute suffering in Joe’s eyes, for every tear Michael shed.
This was craziness. Two-year-olds cried several times a day. Men who had lost babies suffered. And there was rarely any blame to be handed out in the wake of a miscarriage, even late miscarriages that carry away a child who has been bumping around in her mother’s womb long enough for mother and daughter to get to know one another.
Still, the voice said Faye was to blame, so she believed it. And it told her that it was possible to dig up peace, so she dug.
Praise for the Book
"I am always thrilled to read a new Faye Longchamp book. Mary Anna Evans is an amazingly gifted writer who doesn't just create characters and settings; she brings them to life. The thing that always strikes me when I settle in to read one of her books is how real the characters become to the reader. Isolation is no exception. I really like how Ms. Evans has fleshed out the characters we know so well. They are three dimensional and very human." ~ DeeDee Brows
"Mary Anna Evans did it again. I stumbled upon the Faye Longchamp books in 2012 and have eagerly read every single one of them, at least twice! I'm not a great one for re-reading books but Evans has joined the select group of books I keep permanently on my Kindle and return to from time to time as old friends." ~ K. O'Neil
"There are lots of great twists in the plot of Isolation. The characters are all very fleshed out and believable. Good story. Highly recommend ... " ~ PoCoKat
"Isolation enraptured me from the first paragraph and I couldn't set it aside till I finished. What an engrossing, intriguing, satisfying, read." ~ Mallory A. Haws Reviews
"Another great read from my favorite author I can't wait until the next one. Each new instalment is like catching up with old friends thank you Mary Anna for creating this series." ~ Pam Bentley
Guest Post by the Author
How My Educational Background Contributes to My Writing
People are always surprised to learn that my educational background is in engineering. They don't associate fiction writing with the physical sciences. I have further confused the matter by going back to graduate school, so now my background looks like this: BS in engineering physics, MS in chemical engineering, and MFA in creative writing. That's not the usual route to being a novelist, but it has worked well for me.
Science is all about trying to understand the world, and I find that it helps me create my fictional worlds. It's important to me that my stories don't violate the laws of physics. I want my readers to believe that they could have happened. From there, it's a small step to getting them to care about the people who inhabit those stories.
An education in science gives a person a deeply engrained sense of cause-and-effect, which is a very good thing for a mystery writer to have. It helps me give my criminals believable motives, and it helps me craft puzzles and lay clues that my protagonists and my readers can use to put the puzzle pieces together. In the case of my series protagonist, Faye Longchamp, she is a scientist and it's very important that I portray her logical thought processes as she goes about her work as an archaeologist and a sleuth.
I've just begun teaching creative writing at the University of Oklahoma, and it was very satisfying to tell my mystery class last week that we were going to spend a semester analyzing the plots of mysteries we'd like to emulate. That's what scientist and engineers do. They analyze a problem, then they draw up a plan to solve it. Every time I write a crime novel, I get to do just that.
About the Author
Mary Anna Evans is the author of the award-winning Faye Longchamp archaeological mysteries – Artifacts, Relics, Effigies, Findings, Floodgates, Strangers, Plunder, Rituals, and Isolation. She has degrees in physics and chemical engineering. Her background includes stints in environmental consulting and university administration, as well as a summer spent working offshore in the oil fields. Writing lets her spend weeks indulging her passion for history, archeology, and architecture, and months making up stories. Mary Anna is preparing to move to Oklahoma since accepting an Associate Professor position with the University of Oklahoma.
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