Showing posts with label Jeff Lindsay. Show all posts
Showing posts with label Jeff Lindsay. Show all posts

Saturday, November 7, 2015

"Red Tide" by Jeff Lindsay

EXCERPT and GIVEAWAY
Red Tide
(Billy Knight Thrillers Book 2)
by Jeff Lindsay


Red Tide is the second book in Jeff Lindsay's Billy Knight Thrillers series. Also available: Tropical Depression (read my blog post).


Red Tide is currently on tour with Partners in Crime Virtual Book Tours. The tour stops here today for an excerpt and a giveaway. Please be sure to visit the other tour stops as well.


Description
From Jeff Lindsay, the bestselling author of the Dexter series, comes the long-awaited sequel to his debut novel, Tropical Depression, featuring ex-cop Billy Knight.
Billy Knight wants to ride out Key West’s slow-season with the occasional charter and the frequent beer. But when he discovers a dead body floating in the gulf, Billy gets drawn into a deadly plot of dark magic and profound evil. Along with his spiritually-attuned terrier of a friend, Nicky, and Anna, a resilient and mysterious survivor of her own horrors, Billy sets out to right the wrongs the police won’t, putting himself in mortal peril on the high seas.
As the title of Lindsay’s latest book declares, Dexter is dead - the serial killer saga is over. Now, Red Tide offers fans of Jeff Lindsay a new thriller, one twenty years in the making.

Book Video


Excerpt from Chapter 4
Miami has this problem with its boaters. Some of them are still sane, rational, careful people—perhaps as many as three or four out of every ten thousand of them. The rest act like they escaped from the asylum, drank a bottle of vodka, snorted an ounce of coke, ate 25 or 30 downers and decided to go for a spin. Homicidal, sociopathic maniacs, wildly out of control, with not a clue that other people are actually alive, and interested in keeping it that way. To them, other boats are targets. They get in the boat knowing only two speeds: fast and blast-off.
I mentioned a few of these things to the boats that tried to kill me. I don’t think they could hear me over the engine roar. One of the boats had four giant outboard motors clamped on the back; 250 horsepower each, all going at full throttle no more than six inches from Sligo. If I had put the boom out I would have beheaded the boat’s driver. He might not have noticed.
“To get a driver’s license,” I said to Nicky through gritted teeth, “you have to be sixteen, take a test, and demonstrate minimal skill behind the wheel.”
Nicky was busy fumbling on a bright orange life jacket, fingers trembling, and swearing under his breath.
“To drive a boat—which is just as fast, bigger, and in conditions just as crowded and usually more hazardous—you have to be able to start the motor. That’s all. Just start the motor. There’s something wrong with this picture, Nicky.”
“There is, mate,” he said. “We’re in it. Can you get us out of here?”
My luck was working overtime. We had four more close scrapes—one with a huge Italian-built motor yacht that was 100 feet long, cruising down the center of the channel at a stately thirty knots, but I got us out of the channel alive and undamaged. When I cleared the last two markers and turned into the wind I told Nicky, “Okay. Raise the sails.”
He stared at me for a moment. “Sure. Of course. How?”
It turned out Nicky had never been on a sailboat before. So he held the tiller while I went forward to the mast and ran the sails up. Then I jumped back into the cockpit and killed the engine.
“Home, James,” said Nicky, popping two beers and handing me one. “It’s been a bitch of a morning.”
I took the beer and pointed our bow south.
It was a near-perfect day, with a steady, easy wind coming from the east. We sailed south at a gentle five knots, staring at the scenery. Cape Florida looked strange, embarrassed to be naked. All its trees had been stripped away by the hurricane. Farther south, the stacks of Turkey Point Nuclear Reactor stuck up into the air, visible for miles. It was a wonderful landmark for all the boaters. Just steer thataway, Ray Bob, over there towards all them glowing fishes.
***
The weather held. We made it down through the Keys in easy stages, staying the first two nights in small marinas along the way, rising at dawn for a lazy breakfast in the cockpit, then casting off and getting the sails up as quickly as possible. Part of the pure joy of the trip was in the sound of the wind and the lack of any kind of machine noise. We’d agreed to do without the engine whenever we could.
That turned out to be most of the time. Nicky took to sailing quickly and without effort. We fell into the rhythm of the wind and the waves so easily, so naturally, that it was like we had been doing this forever, and would keep doing it until one day we were too old and dry and simply blew gently over the rail, wafted away on a wave.
The third night we could have made it in to Key West. But we would have been docking in the dark, and working a little harder than we wanted to. So we pulled in to a small marina with plenty of time left before sunset.
Nicky used the time doing what he called rustling up grub. I don’t know if that’s how they say it in Australia, or if he heard it in some old John Wayne movie. From what he’d told me about Australia, there’s not much difference.
I sat in the cockpit with a beer, stretched out under the blue Bimini top, and waited for Nicky to get back. I had a lot to think about, so I tried not to. But my thoughts were pretty well centered on Nancy.
It was over. It wasn’t over. I should do something. I should let it take its course. It wasn’t too late. It had been too late for months. Eeny meeny miny mo.
Luckily, Nicky came back before I went completely insane. He was clutching a bag of groceries and two more six packs of beer.
“Ahoy the poop,” he shouted. “How ’bout a hand, mate?”
I got him safely aboard and he went below to the little kitchen. It sounded like he was trying to put a hole in the hull with an old stop sign while singing comic opera, so I stayed in the cockpit, watching the sun sink and thinking my thoughts.
There is something very special about sunset in a marina. All the people in their boats have done something today. They have risked something and achieved something, and it gives them all a pleasant smugness that makes them very good company at happy hour. A few hours later the people off the big sports fishermen will be loud obnoxious drunks and the couples in their small cruising sailboats will be snarling at them self-righteously from their Birkenstocks, but at sunset they are all brothers and sisters and there are very few places in the world better for watching the sun go down than from the deck of a boat tied safely in a marina after a day on the water.
I sipped a beer. I felt good, too, although my mind kept circling back to Nancy, and every time it did my mood lurched downwards. But it’s hard to feel bad on a sailboat. That’s one reason people still sail.
Anyway, tomorrow we would be home. I could worry about it then.
Early the next morning we were working our way towards Key West, about two miles off shore on the ocean side. We had decided on the ocean side because of the mild weather. With the prevailing wind from the east, we would have a better sail on the outside, instead of in the calmer waters of the Gulf on the inside of the Keys.
And because the weather was so mild, we went out a little further than usual. Nicky was curious about the Gulf Stream, which runs close to the Keys. I put us onto its edge, and by early afternoon we were only a few miles out of Key West.
Nicky had dragged up his black plastic box and, surprise, pulled out a large handgun.
Like a lot of other foreigners who settle in the USA, Nicky had become a gun nut. He was not dangerous, or no more dangerous than he was at the dinner table. In fact he had become an expert shot and a fast draw. The fast draw part had seemed important to him out of all proportion to how much it really mattered. I put it down to the horrors of growing up a runt in Australia.
Somehow Nicky managed to rationalize his new love for guns with his philosophy of All-Things-Are-One brotherhood. “Simple, mate,” he’d said with a wink, “I’m working out a past life karmic burden.”
“Horseshit.”
“All right then, I just like the bloody things. How’s that?”
Nicky had a new gun. He wanted to fire off a few clips and get the feel of it. Since we were out in the Stream and the nearest boat was almost invisible on the horizon, I didn’t see any reason why not. So Nicky shoved in a clip and got ready to fire his lovely new toy.
It was a nine millimeter Sig Sauer, an elegant and expensive weapon that Nicky needed about as much as he needed a Sharp’s buffalo rifle, but he had it and so far he hadn’t blown off his foot with it. I was hoping he would stay lucky.
“Ahoy, mate,” called Nicky, pointing the gun off to the south, “thar she blows.”
I turned to follow his point. A bleach bottle was sailing slowly out into the Gulf Stream.
“Come on,” Nicky urged, “pedal to the metal, mate.”
I tightened the main sheet and turned the boat slightly to give him a clear shot and Nicky opened up. He fired rapidly and well. The bleach bottle leaped into the air and he plugged it twice more before it came down again. He sent it flying across the water until the clip was empty and the bottle, full of holes, started to settle under.
I chased down the bottle and hooked it out with a boathook before it sank from sight. There’s enough crap in the ocean. Nicky was already shoving in a fresh clip.
“Onward, my man,” he told me, slamming home the clip and letting out a high, raucous, “Eeee-HAH!” as he opened a new beer. We were moving out further than we should have, maybe, out into the Gulf Stream. It’s easy to know when you’re there. You see a very abrupt color change, which is just what it sounds like: the water suddenly changes from a gunmetal green to a luminous blue. The edge where the change happens is as hard and startling as a knife-edge.
“Ahoy, matey,” Nicky called again, pointing out beyond the color change, and I headed out into the Gulf Stream for the new target. “Coconut!” Nicky called with excitement as we got closer. It was his favorite target. He loved the way they exploded when he hit them dead on.
I made the turn, adjusting the sheet line and again presenting our broadside, and swiveled my head to watch.
Nicky was already squinting. His hand wavered over the black nylon holster clipped to his belt. He let his muscles go slack and ready. I stared at the coconut. From fifty yards it suddenly looked wrong. The color was almost right, a greyish brown, and the dull texture seemed to fit, but—
“Hang on, Nicky,” I said, “Just a second—”
But the first two shots were already smacking away, splitting the sudden quiet.
I shoved the tiller hard over and brought us into the wind. The boat lurched and made Nicky miss his second shot. He looked at me with an expression of annoyance. I nodded at his target. He had hit the coconut dead center with the first shot. It should have leapt out of the water in a spectacular explosion. It hadn’t. The impact of the shot pushed it slowly, sluggishly through the water and we could both see it clearly now.
It wasn’t a coconut. Not at all. It was a human head.

Praise for the Book
"This is a thriller of the highest order ... " ~ Booklist (starred review)
" ... a game of cat and mouse that builds to an utterly terrifying climax on the high seas." ~ Publishers Weekly (starred review)
"The characters are brilliantly developed with endearing quirks that make them a little unique but quite appealing. Jeff Lindsay’s descriptive prose bring the characters and the setting vibrantly to life and the serious overtones of the unfolding storyline are relieved by Billy Knight’s wry sense of humor. The mystery is compelling and moves at an even pace until the novel’s thrilling conclusion. A great addition to the Billy Knight Thrillers series that old and new fans are sure to enjoy." ~ K. Branfield
"I found this to be, on the whole, a quick and easy read with a decent storyline played out with interesting characters that kept my attention throughout. So ... what's not to like? Two books into the series and I'm already hooked ... " ~ Ashrae
"I found this book to be very entertaining, with several chuckles and several shakes of my head thinking 'these guys are idiots'. But it's all just a day in the life of Billy Knight. I also loved the setting of Key West. I love that place!" ~ deb

About the Author
Jeff Lindsay is the award-winning author of the seven New York Times bestselling Dexter novels upon which the international hit TV show Dexter is based. His books appear in more than 30 languages and have sold millions of copies around the world. Jeff is a graduate of Middlebury College, Celebration Mime Clown School, and has a double MFA from Carnegie Mellon. Although a full-time writer now, he has worked as an actor, comic, director, MC, DJ, singer, songwriter, composer, musician, story analyst, script doctor, and screenwriter.


Giveaway
Enter the tour-wide giveaway for a chance to win one of five ebook copies of Red Tide by Jeff Lindsay.

Links




Tuesday, August 25, 2015

"Tropical Depression" by Jeff Lindsay

EXCERPT and GIVEAWAY
Tropical Depression
(Billy Knight Thrillers Book 1)
by Jeff Lindsay


Diversion Books is re-releasing Tropical Depression by Jeff Lindsay, author of the Dexter series, in advance of his upcoming sequel, Red Tide. This book was first published 20 years ago!


This book blast and giveaway is brought to you by Partners in Crime Virtual Book Tours. Please be sure to visit the other participating blogs as well.


Description
New York Times bestselling author Jeff Lindsay mastered suspense with his wildly addictive Dexter series. Before that, however, there was former cop and current burnout Billy Knight. When a hostage situation turns deadly, Billy loses everything - his wife, his daughter, and his career. Devastated, he heads to Key West to put down his gun and pick up a rod and reel as a fishing boat captain. But former co-worker Roscoe McAuley isn't ready to let Billy rest.
When Roscoe tells Billy that someone murdered his son, Billy sends him away. When Roscoe himself turns up dead a few weeks later, however, Billy can't keep from getting sucked back into Los Angeles, and the streets that took so much from him.
Billy's investigations into the death of a former cop, and his son, will take him up to the highest echelons of the LAPD, finding corruption at every level. It puts him on a collision course with the law, with his past, with his former fellow officers, and with the dark aftermath of the Civil Rights Movement. Jeff Lindsay's considerable storytelling gifts are on full display, drawing the reader in with a mesmerizing style and a case with more dangerous blind curves than Mulholland Drive.

Excerpt
Somebody once said Los Angeles isn’t really a city but a hundred suburbs looking for a city. Every suburb has a different flavor to it, and every Angeleno thinks he knows all about you when he knows which one you live in. But that’s mostly important because of the freeways.
Life in L.A. is centered on the freeway system. Which freeway you live nearest is crucial to your whole life. It determines where you can work, eat, shop, what dentist you go to, and who you can be seen with.
I needed a freeway that could take me between the two murder sites, get me downtown fast, or up to the Hollywood substation to see Ed Beasley.
I’d been thinking about the Hollywood Freeway. It went everywhere I needed to go, and it was centrally located, which meant it connected to a lot of other freeways. Besides, I knew a hotel just a block off the freeway that was cheap and within walking distance of the World News, where Roscoe had been cut down. I wanted to look at the spot where it happened. I was pretty sure I wouldn’t learn anything, but it was a starting place.
And sometimes just looking at the place where a murder happened can give you ideas about it; cops are probably a little more levelheaded than average, but most of them will agree there’s something around a murder scene that, if they weren’t cops, they would call vibes.
So Hollywood it was. I flagged down one of the vans that take you to the rental car offices.
By the time I got fitted out with a brand new matchbox—no, thank you, I did not want a special this-week-only deal on a Cadillac convertible; that’s right, cash, I didn’t like credit cards; no, thank you, I did not want an upgrade of any kind for only a few dollars more; no, thank you, I didn’t want the extra insurance—it was dark and I was tired. I drove north on the San Diego Freeway slowly, slowly enough to have at least one maniac per mile yell obscenities at me. Imagine the nerve of me, going only sixty in a fifty-five zone.
The traffic was light. Pretty soon I made my turn east on the Santa Monica. I was getting used to being in L.A. again, getting back into the rhythm of the freeways. I felt a twinge of dread as I passed the exit for Sepulveda Boulevard, but I left it behind with the lights of Westwood.
The city always looks like quiet countryside from the Santa Monica Freeway. Once you are beyond Santa Monica and Westwood, you hit a stretch that is isolated from the areas it passes through. You could be driving through inner-city neighborhoods or country-club suburbs, but you’ll never know from the freeway.
That all changes as you approach downtown. Suddenly there is a skyline of tall buildings, and if you time it just right, there are two moons in the sky. The second one is only a round and brightly lit corporate logo on a skyscraper, but if it’s your first time through you can pass some anxious moments before you figure that out. After all, if any city in the world had two moons, wouldn’t it be L.A.?
And suddenly you are in one of the greatest driving nightmares of all recorded history. As you arc down a slow curve through the buildings and join the Harbor Freeway you are flung into the legendary Four-Level. The name is misleading, a slight understatement. It really seems like a lot more than four levels.
The closest thing to driving the Four-Level is flying a balloon through a vicious dogfight with the Red Baron’s Flying Circus. The bad guys—and they are all bad guys in the Four-Level—the bad guys come at you from all possible angles, always at speeds just slightly faster than the traffic is moving, and if you do not have every move planned out hours in advance you’ll be stuck in the wrong lane looking for a sign you’ve already missed and before you know it you will find yourself in Altadena, wondering what happened.
I got over into the right lane in plenty of time and made the swoop under several hundred tons of concrete overpass, and I was on the Hollywood Freeway. Traffic started to pick up after two or three exits, and in ten minutes I was coming off the Gower Street ramp and onto Franklin.
There’s a large hotel right there on Franklin at Gower. I’ve never figured out how they break even. They’re always at least two-thirds empty. They don’t even ask if you have a reservation. They are so stunned that you’ve found their hotel they are even polite for the first few days. There’s also a really lousy coffee shop right on the premises, which is convenient if you keep a cop’s schedule. I guessed I was probably going to do that this trip.
A young Chinese guy named Allan showed me up to my room. It was on the fifth floor and looked down into the city, onto Hollywood Boulevard just two blocks away. I left the curtain open. The room was a little bit bigger than a gas station rest room, but the decor wasn’t quite as nice.
It was way past my bedtime back home, but I couldn’t sleep. I left my bag untouched on top of the bed and went out.
The neighborhood at Franklin and Gower is schizophrenic. Two blocks up the hill, towards the famous Hollywood sign, the real estate gets pretty close to seven figures. Two blocks down the hill and it’s overpriced at three.
I walked straight down Gower, past a big brick church, and turned west. I waved hello to Manny, Moe, and Jack on the corner: it had been a while. There was still a crowd moving along the street. Most of them were dressed like they were auditioning for the role of something your mother warned you against.
Some people have this picture of Hollywood Boulevard. They think it’s glamorous. They think if they can just get off the pig farm and leave Iowa for the big city, all they have to do is get to Hollywood Boulevard and magic will happen. They’ll be discovered.
The funny thing is, they’re right. The guys that do the discovering are almost always waiting in the Greyhound station. If you’re young and alone, they’ll discover you. The magic they make happen might not be what you had in mind, but you won’t care about that for more than a week. After that you’ll be so eager to please you’ll gladly do things you’d never even had a name for until you got discovered. And a few years later when you die of disease or overdose or failure to please the magic-makers, your own mother won’t recognize you. And that’s the real magic of Hollywood. They take innocence and turn it into money and broken lives.
I stopped for a hot dog, hoping my sour mood would pass. It didn’t. I got mustard on my shirt. I watched a transvestite hooker working on a young Marine. The jarhead was drunk enough not to know better. He couldn’t believe his luck. I guess the hooker felt the same way.
The hot dog started to taste like old regrets. I threw the remaining half into the trash and walked the last two blocks to Cahuenga.
The World News is open twenty-four hours a day, and there’s always a handful of people browsing. In a town like this there’s a lot of people who can’t sleep. I don’t figure it’s their conscience bothering them.
I stood on the sidewalk in front of the place. There were racks of specialty magazines for people interested in unlikely things. There were several rows of out-of-town newspapers. Down at the far end of the newsstand was an alley. Maybe three steps this side of it there was a faint rusty brown stain spread across the sidewalk and over the curb into the gutter. I stepped over it and walked into the alley.
The alley was dark, but that was no surprise. The only surprise was that I started to feel the old cop adrenaline starting up again, just walking down a dark alley late at night. Suddenly I really wanted this guy. I wanted to find whoever had killed Roscoe and put him in a small cell with a couple of very friendly body-builders.
The night air started to feel charged. It felt good to be doing cop work again, and that made me a little mad, but I nosed around for a minute anyway. I wasn’t expecting to find anything, and I didn’t. By getting down on one knee and squinting I did find the spot where the rusty stains started. There was a large splat, and then a trickle leading back out of the alley to the stain on the sidewalk.
I followed the trickle back to the big stain and stood over it, looking down.
Blood is hard to wash out. But sooner or later the rain, the sun, and the passing feet wear away the stains. This stain was just about all that was left of Roscoe McAuley and when it was gone there would be nothing left of him at all except a piece of rock with his name on it and a couple of loose memories. What he was, what he did, what he thought and cared about—that was already gone. All that was hosed away a lot easier than blood stains—a lot quicker, too.
“I’m sorry, Roscoe,” I said to the stain. It didn’t answer. I walked back up the hill and climbed into a bed that was too soft and smelled of mothballs and cigarettes.

Praise for the Book
"A rock-solid series debut." ~ Booklist
"This book is so different from the author's Dexter series. It kind of reminds me of old time mysteries in some instances, but with a modern day setting. The main character, Billy Knight, puts out a lot of sarcasm, I chuckled out loud several times. While this book started out pretty slow, setting up the characters and everything - I think he didn't have to spend so much time looking for Roscoe. Although I did like hearing about Key West - love that place!" ~ Debbie Krenzer
"This is a fair attempt at a detective procedural with some well-drawn characters and a steady moving plot. Nothing above modest, but still an entertaining read." ~ Ralph Blackburn
"The book, in my opinion, was better than Dexter series [...] Lindsay's "cop source" is authentic, as I was law enforcement for most of my adult life and I can relate. I also like the one liners [...] The book got kind of long and could have been shorter but I still didn't get bogged down in boringness. Shorter books is a personal preference of mine and I realize this. if you like the author, or if you like Key West or want to know more about Key West (the whole book DOES NOT take place there however), then this is the book for you." ~ Jay

About the Author
Jeff Lindsay is the award-winning author of the seven New York Times bestselling Dexter novels upon which the international hit TV show Dexter is based. His books appear in more than 30 languages and have sold millions of copies around the world. Jeff is a graduate of Middlebury College, Celebration Mime Clown School, and has a double MFA from Carnegie Mellon. Although a full-time writer now, he has worked as an actor, comic, director, MC, DJ, singer, songwriter, composer, musician, story analyst, script doctor, and screenwriter.



Giveaway
Enter the blast-wide giveaway for a chance to win one of ten ebook copies of Tropical Depression by Jeff Lindsay.

Links