Showing posts with label sex. Show all posts
Showing posts with label sex. Show all posts

Thursday, April 30, 2015

"For Whom the Book Tells (Four Fathers, Volume One)" by George Pritchard Harris

EXCERPT

For Whom the Book Tells
(Four Fathers, Volume One)
by George Pritchard Harris


For Whom the Book Tells is the first book in the Four Fathers series by George Pritchard Harris. Also available: Huckleberry Friend (Book 2), Lad on a Softened Stoop (Book 3), and Inside a Pair of Dice (Book 4). 



Description
Four lifelong buddies ramble on. Barrington, Illinois, accedes to the Eastern Seaboard, then back to Chicago. Finally, the compass points north by northwest.
You could say Four Fathers, in each of its volumes, is about "sex, and drugs, and rock and roll". Or you could say it's about the older virtues, "wine, women, and song". Anyway you want it, you will end up humming the same happy tune.
Four Fathers is everyone's tale even as it is unique to its characters. The bygone past is traveled without benefit of GPS. "Four Gigs" has an entirely different meaning in what is now virtual antiquity. The four fellow travelers stumble upon the raw and the cooked. The pages of the book of life form their dreams as their dreams form them. Missteps mark the way; but, after all, that is what the ride is all about.
Joe Cebellum, Fred Etheridge, Tommy Wanderby, and Sam Thorn step into the tumult to find the sybaritic and the kinesthetic. Confusion finds comfort from the storm disproving the notion you can't find your way home.
Volume One traces the early influences of nature and nurture. Exploration and wonder are the watchwords. This volume leaves the four lifelong friends upon a precipice of the turmoil of the times.

Excerpt
There was a brief time when Wanderby found the squalid shroud of guilt truly lifted from his soul. Wanderby, on leave from battle, languished on one of the Rock Islands that form part of the archipelago emanating from the Pacific island of Palau. He had fought in the bloody and crucial battles both on Palau and on Mariana. On Palau, he witnessed thousands of Japanese- soldiers and civilians alike, men, women, and children, throw themselves off a cliff rather than fall into the hands of what they all knew, unequivocally, to be the vilified, inhuman American savages.
Before going into battle again, Wanderby spent four weeks with a native girl whom even Marlon Brando would have coveted.  When Wanderby first met Salaia, she offered to him some local shellfish. Her gesture to join her was accompanied by a large, big-toothed smile. Wanderby was struck, and stricken, by the beauty of her caramel brown skin and by the depth and sparkle of her dark eyes. While sharing the shellfish with her, he could not refrain from longing for her voluptuous large lips as the moisture of the meal glistened and dripped to her chin. In his mind, to use his vernacular, the deal was cinched. As he moved closer to her, Salaia moved closer to him and placed his right hand on her left breast. Her breasts were taut but unfettered by any garment.  She leaned in to kiss him. They were on the beach in the moments just past dusk.  As the night proceeded, a plethora of bright stars dripped approvingly down from the dark omnipresent sky. The stars seemed so close as to be within reach.

Review
This is the first book in the trilogy which I found witty, thought provoking and entertaining. The spot on descriptions and the crystal clear prose are humorous and at the same time brilliant. There are only so many authors that I consider brilliant but there you have it! This author is brilliant!
I couldn't help but chuckle out loud even though I was in a room that was as quiet as a library full of people. For Whom the Book Tells is a light hearted story that is written like poetry. The writing is so smart that I had to scribble down some of the clever lines in my notepad for safe keeping.
This author articulates like no other. His language is rich and sophisticated even when he is talking about something of the most whimsical nature. He can make the most mundane function seem almost scientific. He has a keen use of the English language and at the same time he likes to have fun with his readers.... Or more accurately his "audience" since his story has a theatrical feel to it.

About the Author
The Four Fathers octology project was conceived in a hammock in Costa Rica in 2011. The Princeton Alumnus and retired trial lawyer has finished the first three books in the series. Author Harris remains quizzical, studied, and metaphysical while trying to adhere to his meek conception of fiction in the literary tradition. Four lifelong friends prance and stumble amidst a backdrop where Mance Lipscomb, Marcel Proust, Bull Durham, Bob Dylan, Heraclitus, and Jean Harlow all swirl in some fanciful mélange.
George has three amazingly beautiful daughters and the most beautiful granddaughter in the history of the world.

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Saturday, September 28, 2013

"Singleton" by Luke Mallory

NOTE: This book is for adults only

Singleton
by Luke Mallory


Singleton, is Luke Mallory's debut novella. The author is seeking reviews so please consider leaving a review after reading your copy.
Luke also has several other books available. Click on the covers below to download your copies. Colorful, contemporary and full of real-life characters, each Diary Entry episode is told in the first person by Luke Mallory in his own inimitable style. Diary Entry episodes 1, 2, 3, and 4 are available individually or you can get all five of Luke's books in one volume, Naughty Box 1.
Check out my previous blog post on Homecoming King (Diary Entry #1) to read my hilarious interview with the author!
All of Luke's books contain strong language and scenes of a sexual nature.


























Description
Ever since he was a boy, John Singleton has had only one goal in life: to not be single.
John is a just a piano-playing kid with a kind heart when he meets Catherine, his first true love. After she suddenly moves to another city, John struggles to find a balance through his teenage years as his quest for love is joined by lust. On the verge of failing his high school diploma, he bounces back into life and love. But not for long. Following a string of disappointments in his twenties, John's kind heart becomes a broken and bitter one as he embarks on a series of meaningless flings.
Just when he is ready to give up on love, fate offers one final twist to achieve his goal...
Naughty, sexy, smart and funny, Singleton is the sparkling debut novella by Luke Mallory. Don't miss it!

Excerpt
My name is John Singleton – an unfortunate name if ever there was one, I admit. However, I have always done my best to defy my name and not be, well, single. I was a fresh-faced, fair-haired lad of just six years of age when I first told a girl that I loved her. I was the youngest of four brothers (still am, come to think of it) and I had overheard them declare their undying love for their girlfriends, so it felt correct that I should do the same. Unfortunately, no girls in the first grade agreed with this notion – especially not Emma Antonelli, who was the object of my affection. In a land of pasty-faced, freckle-faced children like me, she was a tanned senorita. A doll. An exotic import from Italy. The Ferrari of the first grade! The prettiest thing I had ever seen. One day, as we played chasing at lunchtime, I passed her a note on which was scribbled the immortal line:
‘I LOVE U’
Proud of my imperfect punctuation and with a beating heart, I watched Emma read it in the playground. Her dark eyes grew wide and my expectation swelled. But there was no trace of a smile. Just fear, disgust and then laughter as she showed it to her friends. Then my friends. And just about anyone else who was nearby. Perhaps she didn’t like my handwriting? Either way, the children pointed and laughed at me and, for a few minutes, it was a miserable time in my life. But I didn’t cry. I was too much of a big boy for that…though I did stomp away and kick a football very hard – something I didn’t know I could do so well. My hopes were dashed and for the next few years, I was destined to be girl-less.
‘I hate girls,’ all my guy friends complained in those early years. ‘They’re icky.’ To be one of the gang, I nodded my head in agreement. But secretly I thought the opposite. I love girls! Emma Antonelli, meanwhile, never spoke to me again. She grew up, became a model and, if nothing else, confirmed my good taste. Rejected, I concentrated on other things that kids do and continued kicking footballs as hard as possible. I played the piano, too, and by ten, I was mastering some fancy pieces by Mozart, Chopin, Satie and the rest of them. When my piano teacher wasn’t listening, I loved banging out Beetles classics.
I, John Singleton of London, England, kissed a girl when I was twelve years old. In fact, I quickly made a habit of it. Her name was Catherine and she lived a block north of me. Each morning, I used to see her walking past my house to school. Not my school – by then, I was in an all-boys institution. Lucky me. Catherine was tall and skinny. Always wore a red cardigan over a white blouse, I remember. Her black hair was tied in a ponytail – its colour matched her black skirt. Her pale skin matched her white leggings. I thought she was beautiful. She had such an erect and proud walk – it was most unlike anything I had ever seen. She was, I think, the first girl that I looked at beyond her face. There was a body, too!
One day in summer, I was cycling my bicycle near her house when someone suddenly shouted:
‘John!’
I turned to see Catherine standing there. Her brown eyes staring. Her hands covering her mouth – as if she couldn’t believe she had uttered my name. I hit the brakes and almost went over my handlebars. I had no idea that she knew my name. I hopped off the bicycle and, across the street, noticed two other girls running away. Laughing. Obviously Catherine’s friends.
Ambush!
Before the thought gained a foothold, Catherine grabbed my wrist and led both boy and bicycle down a quiet lane beside her home.
‘You’re the boy who plays the piano, aren’t you?’ she asked.
Dumbstruck, I merely nodded.
She smiled nervously and clutched the handlebars of my bike. ‘I always listen to you. Your mother leaves the window open and I can hear you play. You play ever so lovely.’
‘The Beetles…’ I said presumptuously.
‘No. The soft music…’
Satie…
She looked up to the heavens in search of inspiration. ‘Yes, you play everything so nicely. Sometimes I sit on the street outside and just listen.’ She shrugged her shoulders as if to indicate her speech was done.
I nodded again. My eyes were wide. My mouth open. I probably looked petrified. In hindsight, she did too.
She searched the ground. ‘Would…you like to kiss me?’ she asked with a voice as fragile as crystal.
Would I!
Given my shyness up until that moment, she probably didn’t expect me to lunge straight in and kiss her smack on the lips. But that’s exactly what I did. Both of us had our mouths firmly closed and out eyes firmly open. Staring point blank at each other.
I broke away and let my mouth fall open again – shocked by what had just taken place. So was she. Though no longer at point blank distance, we seemed to stand there staring at each other, digesting what had just taken place. But then something magical happened: Catherine smiled. And I smiled.
‘Do it again!’ she whispered.
I did it again. This time was no different from the first and I could see her eyes roll up to heaven again, deep in thought. She broke away.
‘In the movies, they always close their eyes,’ she explained, and then she let her eyelids fall – a Jennifer Connelly in the making. She looked like a princess, I remember thinking.
I closed my eyes, too, and I blindly moved in. It was then I became aware of her perfume. If the colour pink had a scent, this sweet perfume was surely it. I felt my lips touch hers. That kiss – our third – was the kiss that I measured all others against thereafter. It was soft, tender and lingering. It felt pure. It was indescribable.
That night, when I lay down to sleep, I was elated. In the morning, Catherine’s sweet perfume adorned my pillow. I hugged it and inhaled the scent – something I would do over and over again that day. Though my eyes were closed in thought, it felt like they had been truly opened for the first time…
Luckily, I got to practice my kissing technique with Catherine all that summer. When I told her I loved her, it was greeted with a huge smile, twinkling eyes, the tightest hug I had ever felt and a momentous, ‘I love you too!’ It was love in its most innocent state. For Catherine’s birthday, I learned a new piano piece: ‘Je Te Veux’ by Erik Satie. I was so proud to invite her to my house and sit her down on a lonely chair while I began to play the romantic waltz at our upright piano. As my fingers tickled the ivories, the joyous music filled the room and my heart. I was on cloud nine and I didn’t make a single mistake. As I hit the final happy note, I looked at Catherine and smiled.
‘Happy Birthday–’ I started to say, but I was cut short.
To my utter astonishment, Catherine broke down into floods of tears. Then she ran to me and wrapped her limbs around my neck and sobbed uncontrollably. She was shaking.
‘That’s the nicest thing anyone has…’ she managed to say before the tears flowed again.
She wouldn’t let go of me, even as I walked her home later that evening. As the sun began to set, I watched as she finally skipped away into her house, turning at the last moment.
‘I love you, John!’ she called out, her voice echoing about the street. With a final smile – a vision etched into my mind – the door closed.
Suddenly Catherine was gone. Not just for that evening but for ever. Her family moved away and until this day, I don’t know where they went. According to the neighbours, her father had rented their home and the lease had come to an end. There was no warning – just that emotional birthday. There were no letters exchanged and, as the years passed, I knew if I met her walking down the street, I probably wouldn’t even recognise her – something I’ve always regretted. It was such a sad feeling. Yet, Catherine, as she was then, would be in my thoughts for the rest of my life. I hoped I featured somewhere in hers.
The following September when I returned to school, I didn’t mention Catherine to any of my friends. The lads wouldn’t have appreciated Catherine’s twinkling eyes or pink perfume. Or Satie and ‘Je Te Veux,’ which, I would later find out, meant ‘I Want You.’ We were tough guys. Well, children, actually. But, whatever about it, I had attained a new confidence which I would take into all arenas. Suddenly I was a great soccer player. Suddenly I was a singer. A maths whiz. A budding scientist. My confidence knew no bounds and I wanted to try everything. Catherine had done that. But she was gone and, hiding away in my bedroom, I shed a few tears. I wasn’t so interested in the piano after that…

Review
While this is not my usual reading fare, I was looking to read in a new genre and Singleton was my choice. Good choice! I'm thinking you'd call the book New Adult, but I'm no expert on genres...
This book is different, because it follows John Singleton's quest to overcome what he considers "his unfortunate name." John wants to fall in love with the perfect woman. Not a bad goal, as goals go. He starts looking for "perfect" in the first grade, and with strike-out after strike-out in the years that follow, he never gives up. Until he grows up. This book is humorous, tender, insightful, and engrossing. I was rooting for John all through the book. Sometimes watching him lurch between love interests was pretty painful, but he always came out the better for trying.
Not a long book, but a thoroughly entertaining one.
(Singleton is worth reading if only for the "Praise for Luke Mallory" quotes in the front of the book. Laugh out loud funny.)

About the Author
Luke Mallory was born in Dublin, Ireland. After completing his university degree (some businessy thing) he meandered over to Paris, France and briefly worked as a trader. Unsure as to why he did this, he made his way back to Ireland, took off his shirt and started writing books. Following the launch of his debut novella, Singleton, Luke has put his shirt back on - something his employers are particularly happy about.
Luke is currently working in an antiques store while he plans his first full-length novel. Indeed, he can often be seen scribbling away at an unsold Victorian writing desk in the store, much to his employer's annoyance. After work, Luke regularly walks the famous pier in Dun Laoghaire. He definitely does not do this during work hours.
A fan of Girls, Guinness, Rugby, Girls, Nightclubs and Dayclubs if there is such a thing, Luke Mallory's modus operandi is to make the most out of life. If he can make a few others smile and laugh at the same time, then it's all the better!

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Monday, August 12, 2013

"Soul Destruction: Unforgivable" by Ruth Jacobs


NOTE: This book is suitable for adults only

ON SALE for $0.99
Soul Destruction: Unforgivable
by Ruth Jacobs


Soul Destruction: Unforgivable is currently ON SALE for only $0.99. Read my 5-BD (the Books Direct equivalent of stars) review below. You can also read my interview with the author in another blog post. Be sure to check out the Caffeine Nights website for FREE short stories by Ruth Jacobs as well as several other Caffeine Nights authors.

Description
Enter the bleak existence of a call girl haunted by the atrocities of her childhood. In the spring of 1997, Shelley Hansard is a drug addict with a heroin habit and crack psychosis. Her desirability as a top London call girl is waning.
When her client dies in a suite at The Lanesborough Hotel, Shelley’s complex double-life is blasted deeper into chaos. In her psychotic state, the skills required to keep up her multiple personas are weakening. Amidst her few friends, and what remains of her broken family, she struggles to maintain her wall of lies.
During this tumultuous time, she is presented with an opportunity to take revenge on a client who raped her and her friends. But in her unbalanced state of mind, can she stop a serial rapist?

Book Trailer

Excerpt
Chapter 3 - The Stranger, the Coke Can and the Futuristic Street Installation
Shelley found herself squatting on the dirty floor of a public toilet in Camden Town, trying to avoid the sparkling streams of urine under the dim light. Twenty minutes earlier, she’d plucked a young man from the street. He’d been sitting on the pavement by the Tube station, begging, appearing to be homeless. She had a knack for picking them – the junkies – and she was rarely wrong.
She entrusted him with one-hundred and twenty pounds to score sixty brown and sixty white. He both scored and brought back the drugs – the latter not being a given when strangers score for strangers, especially when buying heroin and crack. With that action, sadly, he proved more reliable and perhaps more deserving of her trust than the majority of people with whom she associated.
Although in her cigarette packet she still had the crack from The Lanesborough, she needed more. And she needed the heroin to come down, but before coming down, she wanted to get as high as she knew how. Speedballing. The superlative combination of heroin and crack. The transportation to Shangri-la.
None of her friends took heroin. The only two heroin dealers she knew – Jay and Ajay – weren’t answering their phones. That was why she had to follow her usual Plan B, which she imagined was no more jeopardous than working.
The stranger had suggested shooting up in the toilet on Inverness Street. She didn’t want to wait to walk back to her car so had accompanied him inside the futuristic street installation. Though the outside was modern, inside it was rank. One of the worst public conveniences Shelley had ever used for a hit. The stench of stale urine permeated every cell in the depths of her nasal cavities and from there, travelled down her throat like post-nasal drip. Even though she kept her mouth shut, she could taste it on her tongue. It was making her gag.
The spoon he cooked up in wasn’t a spoon at all. Neither of them had one, so he used the bottom of a coke can as a substitute. Shelley hoped the boiling would sterilise the metal. She would have preferred her own clean spoon, but it was in her glove box.
She wondered if that was everything he owned, bundled into the small rucksack on his back. She didn’t ask. She didn’t say anything. And neither did he. Why was she dressed for the office when she was shooting up in a public toilet? Not that it would have been difficult to conjure an alternative to what happened at The Lanesborough, but she wasn’t there for conversation. She was there to forget. In her own way. Not by the falsehoods Marianne tried to peddle. 
She rolled up her sleeves to choose a vein. Her arms were clean. So far, she’d managed to evade the track marks, lumps, scabs, bruises and abscesses that would have been tantamount to commercial suicide. To charge upwards of two-hundred and fifty pounds an hour, her clients could never know she was an injector. So injecting had to be organised, alternating numerous veins in her arms, hands, legs and feet. If she was messy, she’d only be able to solicit clients on the street, and streetwalking came with far more risk and a far lower financial reward.
When the heroin had dissolved, she added a rock of crack. With the young man holding the can steady, she used the plunger end of her syringe to grind the white stone into the brown water. She hurried, craving to feel the warm safe-danger, her body pulsating, and her head pumping like it was pumping out every tormenting memory it stored. Soon, the relentless playback of those pictures and scenes would stop. She would have her reprieve. Her respite. And although earning the money to pay for it created new images, as abhorrent as they were, what she was originally escaping from was worse.
Shelley proffered her gold twenty-pack. He took a cigarette and, using his teeth, tore off a chunk of filter. He snatched it from his mouth with his thumb and index finger then dropped it into the concoction. Shelley noticed the scabs on his lips and the dirt under his fingernails. The filter wasn’t clean. She needed the hit.
“You first.” A gentleman, he held the can out in front of Shelley, letting her draw up her shot before him.
“Pass it here.” Shelley positioned her filled syringe between her teeth and reached for the can to reciprocate.
Once his barrel was full, she delicately placed the empty can on what seemed like a dry area of the floor, saving the filter for the next fix. If she was taking one hit from the dirty filter, what difference would a second make?
She wrapped one hand around her wrist. She squeezed. On cue, her pulse thumped and the map of blue veins rose from the back of her hand. She let go, swiped the syringe from her mouth, removed the orange cap with her teeth and inserted the needle into a sinking vein at the base of her hand. Pulling back on the plunger, blood swirled into her medicine. Inside, her rush was brewing. She pushed it all in.

Review

By Lynda Dickson

Shelley Hansard is a 21-year-old woman who has been working for three years as a call girl in London, under the employ of a number of madams and escort agencies. Shelley has previously endured four attacks by clients, including being raped and beaten, but has never lodged a complaint with the police because of her circumstances.
One night, a client dies whilst in her company, sending Shelley into a downward spiral of destructive behavior and an ever-increasing dependency on drugs. Addicted to heroin and crack, Shelley resorts to getting her drugs where and when she can, even from strangers in the street. She uses drugs to forget, but often forgets too much, waking up in the company of strangers, and often with unaccounted-for earnings.
A compulsive cleaner, Shelley eases her anxiety by vacuuming and rearranging her books and videos. Her OCD leads her to manually check her car doors and the locks on the doors and windows of her flat to a nearly debilitating extent. Things finally come to a head when Shelley and her call girl friends Nicole and Tara, decide to get revenge on a client they discover has raped them all.
Shelley's story is slowly and cleverly revealed by the author. We are left to put together the pieces of the puzzle, eventually finding out what happened to Shelley's brother William, her mother Rita, her unknown father, her friends Nicole and Tara, and to Shelley herself, to make her the way she is.
The author's knowledge of the subject matter is extensive and apparent. She has drawn characters who are at the same time repulsive and sympathetic. This book is skillfully structured, with twists and turns I didn't see coming (and that's from someone who always guesses the plot-lines of TV shows). My only disappointment is in the cliff-hanger ending clearly setting us up for the sequel, which I cannot wait to read.

About the Author
Ruth Jacobs is in the process of writing a series of novels entitled Soul Destruction, which expose the dark world and the harsh reality of life as a call girl. Her debut novel, Soul Destruction: Unforgivable, has just been published (April 2013) by Caffeine Nights. Ruth studied prostitution in the late 1990s, which sparked her interest in the subject. She draws on her research and the women she interviewed for inspiration. She also has firsthand experience of many of the topics she writes about such as posttraumatic stress disorder, and drug and alcohol addiction.
In addition to her fiction writing, Ruth is also involved in nonfiction for her charity and human rights campaigning work in the areas of anti-sexual exploitation and anti-human trafficking. You can read my earlier blog post on In Her Own Words ... Interview With a London Call Girl.
Ruth would greatly appreciate it if you would sign the petition to make all crimes against people in prostitution/sex work hate crimes throughout the UK:

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