Showing posts with label contemporary fiction. Show all posts
Showing posts with label contemporary fiction. Show all posts

Friday, May 29, 2015

"My Grandfather's Eyes" by B. A. Spicer

EXCERPT and GIVEAWAY
My Grandfather's Eyes
by B. A. Spicer


B. A. Spicer stops by to share an excerpt from My Grandfather’s Eyes. You can also enter the Goodreads giveaway for a chance to win one of two paperback copies of the book.
More books by this author: One Summer in France (read my blog post) and Stranded in the Seychelles (read my blog post).

Description
Alex Crane is a protagonist with a difference. Single-minded and, at times, glacial in her response to the people around her, she has learned to face the world in spite of her unusual appearance. Her story begins in the past, unfolding into a multilayered plot that weaves its way through a family history peppered with secrets, towards a devastating conclusion.

Excerpt
I have never been beautiful. And, of course, my appearance has deteriorated over time.  It is something I have become used to.  When I look in the mirror these days, and that is not very often, I am not surprised by what I see.  Nor am I disappointed, as I have given up hope of catching myself in a good light. 
Let me tell you what I see.  First, the shape of my head is noticeably irregular, with a medium-sized bump just in front of the crown.  Next, my forehead is lined.  It always has been, ever since I can remember. People used to say I must be a deep thinker.  Only some of them were being kind.   Now the lines are deeper, but the traces they follow date back to my school days, when they did not go unnoticed by bullies.  My eyes are large and green; some might say they are intelligent eyes, that they are insightful or sincere.  I have learned not to set much store by what other people say. 
I have meagre lashes, but it is usually boys who have the lavish kind.  My nose is straight and my mouth is full.  My hair is mousy, fine and thin.   I used to buy shampoo for flyaway hair, when I believed in such nonsense.  When I was young, I wanted thick, straight blond hair, like my friend Lizzy’s.  We all want what we can’t have. There is perhaps nothing so far to complain about very much, you might say.
And so I come to my moles: the unnatural, crawling growths that spread themselves over the side of my face and the underside of my jaw.  If you could see me now, you would probably recoil. I have noticed that even the most educated, the most sympathetic person has difficulty in hiding the innate disgust my moles excite in them.  Ah yes.  Disgust is not too harsh a word, I can assure you.  And the others? Those who make no attempt to hide their feelings towards me?  They cannot help themselves, but stare in horror at what they see, as they sit on the bus clutching their shiny, plastic bags full of new things or as they push their wholesome choices around the supermarket.   Young children are the worst.  I do not admire their ‘honesty’, as their obsequious parents do. 
My moles. My nevi.  How can I describe them?  I should say they are more or less dark brown in colour, although there are two above my left eye that are noticeably lighter.  My husband called them Castor and Pollux.  All have a rubbery, soft texture and, apart from one large mole near my ear, are hairless.  The one near my ear has short, thick hairs that bristle untidily.  My husband had a name for this one too.  He loved me too much.  He couldn’t help it.  None of us can choose whom we love.
What more can I tell you?   That I am ambivalent to my nevi? That Castor and Pollux are my favourites?  That I like them for being different?  You may think this kind of reasoning strange and I would not blame you.  I can only explain it as a truth, a principle that has grown inside me as my moles have swelled and spread; have become part of my life.   Now, I am not sure I could be separated from them. 
There was a time when I believed my mother loved me. A time when she called me beautiful and, because I was not yet self-aware, I let myself be preened and cosseted in exchange for the comfort I felt from the warm glow of her approval.  I did not notice how she suffered. I did not recognise the mortification that lay beneath her smile.
However, a story must start somewhere nearer its beginning, and so I will go back and show myself more clearly to you, before I reveal what I have done.  I expect that you will judge me.
But I do not care.

Praise for the Book
"My favourite reads are the ones with distinctive characters. I hesitate to describe the characters in My Grandfather's Eyes as flawed, because that might sound as if the author has failed to draw them well. The opposite is true, and Ms Spicer has drawn the characters extremely well, with all their glorious flaws picked out under the delightfully forgiving spotlight of the story." ~ Francis Potts
"Well, I wasn't expecting this! What an unusual book! I've read excerpts from Bev Spicer's humorous memoir series and am impressed that she can successfully turn her hand to something so different - and as powerful as this, too. I love it when writers dare to create a protagonist who isn't altogether likeable - to me, this makes the parts where you DO feel sympathy for Alex Crane have more effect. I really liked the way it's written in the present tense. This can be a hard thing to carry off as it can come over as a bit contrived, or get tedious, but it works very well in this case (unlike in this review, in which the tenses are all over the place, but never mind). I read the book in two halves, the second after quite a gap as I suddenly found it a bit depressing and wanted to read something lighter, but that's in no way meant as a negative comment as it's very good - if you like dark, intense psychological studies, you will love this." ~ Terry Tyler, author
"Alex is such a unique character and so different from many other heroines. Parts of her character are seriously flawed and yet the author has so artfully created her to still be endearing in her honesty. This book is expertly written, full of beautiful descriptions and every sense is heightened particularly her use of the characters sense of touch. There are so many layers to this book and the secrets this family have concealed for many years are gradually revealed. BA Spicer keeps us guessing right to the end, in this brilliant psychological drama that I could definitely see being snapped up for TV." ~ C. Plunkett
"The first person narration places you, uncomfortably at times, in Alex's world, with her skewed ideas of right and wrong. But, despite the things she does and thinks, I don't hate her. I'm not sure that I like her, but I do, to an extent, understand her. And this is where the talent and the skill of the writer show. It's hard to have the `hero' of your story someone who should be the villain and even harder to write that character in such a way that your reader isn't completely turned off. The author has managed to do that and the result is a book that's hard to put down, beautifully crafted and compelling." ~ AlisonW

About the Author
Bev Spicer also writes under the pen name B. A. Spicer.
Bev was born in a small market town in the Midlands, daughter to an observer for the Royal Air Force and her mother, a local beauty queen.
She was educated at Queens' College, Cambridge and became a lecturer at Anglia Ruskin University in 1997 moving to live in France with her husband and two of her children ten years later, where she writes full-time.
She is widely read and has travelled extensively, living in Crete, where she taught English and learned to speak Greek, and in the Seychelles, where she worked for the government and co-designed materials which were used to teach at secondary school level.
She is the author of the humorous memoirs Bunny on a Bike, One Summer in France, and Stranded in the Seychelles.

Giveaway
Enter the Goodreads giveaway for a chance to win one of two paperback copies of My Grandfather's Eyes by B. A. Spicer (US, CA, GB, and AU; ends 1 June).







Goodreads Book Giveaway





My Grandfather's Eyes by B. A. Spicer






My Grandfather's Eyes



by B. A. Spicer






Giveaway ends June 1, 2015.




See the giveaway details

at Goodreads.








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Monday, April 14, 2014

"Lilith" by N. Lalit

ON SALE for $0.99
15-21 April


Lilith
by N. Lalit


Description
Debasis Sahu is a painter par excellence, a prodigy, who arrives in Mumbai to fulfill his goal. Here, he encounters the true personality of the bustling city and its people when his only contact and friend, Krishna, is unable to help him.
All alone, in a metropolis notorious for its exorbitant room charges, he spends several nights with a prostitute in Kamathipura, to conserve his finances, a trick he learns on his very first day while having tea in a small eatery, Ram Bharose.
After several weeks, he runs out of money. His visits to the prostitute with whom he keeps a safe distance ends abruptly. He turns into a roadside bum. It is at this point in time he meets Sheetal Sanghvi, a beautiful but ruthless art dealer. A woman who lusted after men and money.
Debasis falls in love with her in their very first encounter. Sheetal too rejoices at her discovery. However, Debasis' limp puts her off. She labels him as an "incomplete artist", a cripple.

Book Trailer


Excerpt
December 2004 - BOMBAY CENTRAL RAILWAY STATION
The Golden Express rumbled into the platform with a potpourri of sounds, its tired wheels screeched in protest and the air horn blew in triumph, scaring everyone, especially the weak hearted. Debasis stood up even before its sixteen carriages came to a halt and trudged towards the exit as the train finally stopped with a noisy belch. He stood his ground, looking outside, with a rainbow of emotions.
“Thief, catch that scoundrel.”
The thud of the running feet, loud calls and cuss words broke his thoughts. Debasis reacted a little too late. A violent push forced him out of the train. Even before he could regain his balance the culprit scrambled across the tracks and disappeared through the emergency exit.
A little later, a group of people came rushing out of the compartment, heaving and puffing in anger.
“Bloody thief,” said the teenager, sporting a pink top and black jeans.
“He's lucky. Had I got hold of him I would have killed him,” said another, apparently the father of the young girl.
“And you. Are you deaf or something?” said the arrogant old man wearing a Gandhi cap, offering Debasis a murderous look.
The group glared at him for a while before climbing back inside to fetch their belongings. Debasis checked his pocket. Everything appeared fine. I guess I was spared. The incident stunned him. What astonished him even more was the sheer size of Bombay Central terminus, its classic looks and the number of people walking in and out of it.
He lowered his handbag on the ground and with a flurry of finger strokes brushed his long black hair; tying it into a short ponytail at the base of his neck. The woven narrow tape that secured his hair displayed the word “Om” all around it. He towered over everyone by a good six inches. Debasis was tall, athletically built with long hands and fingers. His bronze skin gave him that rugged village look and his sage-like eyes scared many people, particularly impostors and liars. Debasis picked up his bag and walked towards the gate. At the exit, he turned around, his painter’s gaze locked on the magnificent edifice, the pride of Indian Railways, memorizing its architectural highlights. The late afternoon sun forced him to narrow his eyes as the rays cut through several glass and concrete structures close to his object of interest.
What a contrast!
He formed a canopy over his eyes with his free hand to protect them from the glare, squinted at the building till each and every section was etched in his mind. Debasis was mesmerized by the arches, the huge porch and the gigantic clock at the top, the size of twenty footballs.
He felt an urge to draw the sketch of such a majestic monument, but discarded the idea. There was no hurry. Patience was his biggest virtue. He turned around and walked out of the tall, ornate metal gates, excited at the thought of returning one day.
A ribbon of vehicles greeted him as he looked down the road from the pavement. His head spun, forcing him to hold the lamp post. It took him some time to regain his balance. He pulled out a piece of paper from his trouser pocket, read the content and headed towards the taxi stand. His eyes darted across the road, observing everything with childlike enthusiasm. The note in his hand bothered him. He looked around in desperation, seeking directions to the address.
The ubiquitous noise, a cocktail of human voices and auto reverberations heightened his anxiety, making it difficult for him to stay focused. Every nook and corner was crammed with peddlers, labourers, sarbat-wallas and casual visitors. The constant movement of people walking in and out of the shops located in old, rickety buildings on either side of the road distracted him further.

Review
5 stars. I chose this rating because it is a well written and engaging book that kept me engrossed for days until I finished it.
  
About the Author
N. Lalit, raised in Mumbai, India, is an engineering graduate. He started his writing career by authoring innumerable technical papers. Later, he began writing short stories which evolved into full fledged romance novels of various sub-genres such as thriller, drama, mystery and comedy.
Lalit also writes on freelance basis and enjoys the challenges of creativity. He has written over a dozen short stories and film scripts, and his articles have appeared on many popular websites. Currently, he is busy editing Koffee with Kiran, his second contemporary romance work.

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Tuesday, December 17, 2013

"An Accidental Killing" by B. A. Spicer

ON SALE for $0.99
An Accidental Killing
by B. A. Spicer


An Accidental Killing by B. A. Spicer is ON SALE 17-21 December via a Kindle Countdown Deal starting at $0.99 (reg. price $4.09).

Description
But darkness lurks in every paradise.
Claude Cousteau is an ordinary-looking man of moderate temperament and regular habits. Nevertheless, he has set himself a task and nothing is going to get in his way. 

Excerpt
The man who stood on the coastal path was unremarkable. He was of average height and build, with thin mousy hair and a longish pointed nose. People put him at forty, but he was in fact thirty-four. He was considered plain by those who knew him, quiet to the point of alienating, and had never been in love. Now, he stared out to sea but watched instead a scene from his past, when he had been a boy; the kind of boy who stood alone in the school playground, who lacked friends but attracted enemies. This present memory came to him with a clarity that stirred a kind of nostalgia inside him that troubled him. He was not accustomed to pleasant reminiscing.
***
The body lay under a thin white sheet. In the corner of a large, sparsely furnished room Claude watched his father putting on clear plastic gloves. It was cold and the bright lights made it seem colder. He wished he had put on an extra sweater. When his father was ready, Claude stood back a little, waiting for the first glimpse. He knew that it was a man, a tourist from the south, killed in a traffic accident.
‘Are you ready?’ asked his father, smiling.
‘Yes, father.’
‘Very well.’ He pulled back the sheet.
The man’s hair was dark and slicked back, apart from a strand that fell forward, partially adhering to a sticky-looking wound above his left eye. His complexion was already pale and bluish, lacking lustre. He was wearing casual but expensive clothes and, where his skin was exposed, he would have been tanned with the honey glow that you saw on television advertisements. His shoes had leather soles. As Claude helped his father to undress the corpse, he imagined the accident, the look on the man’s face before the impact that had left him suddenly lifeless. When he lay naked, his father said what he always said: ‘In death we are all equal, rich or poor, old or young!’ Claude liked the way he said it, almost like a prayer.
‘Pass me the scalpel, will you?’ his father asked. ‘Unless you would like to try?’
Claude smiled timidly and shook his head.
‘No matter,’ his father said, his eyes full of kindness. ‘Another time, another time.’ He took the instrument and made an incision in the neck of the dead man, inserted a tube and opened a large container of embalming fluid.
The boy did not ask questions. He understood the process. Once more, Claude shivered in the cold, wishing again that he had dressed more warmly. He didn’t usually forget, but this time he had been in the garden playing, and in the sunshine it had been pleasantly warm.
‘You can run and fetch a sweater,’ said his father. ‘I will do the face when you get back. Tell mother we will be ready for dinner at the usual time.’
Inside the house, there was the warm moist smell of washing, vying with the meaty aroma of the pasta sauce, and on the sideboard, shone a fresh green salad with small ripe tomatoes and pale flakes of parmesan cheese. Claude felt the first stirrings of hunger. In his room, he quickly found what he was looking for and ran back through the kitchen, his soft shoes making hardly a sound.
‘Where are you going?’
He did not like to tell his mother. ‘Outside! We will be in for dinner at the usual time!’ he called, realising that she would know from the ‘we’ that he was going to watch his father, and swearing under his breath.
Back inside the one-storey building which stood in the deep, cool shadows at the bottom of the garden of his mother’s house, there was a buzz from the lights overhead as he entered, and he saw his father from the back this time, bent over the body, his white coat luminous.
‘Have you started yet, father?’ said Claude, panting slightly.
‘I said that I would wait, and I have,’ he replied, pleasantly. ‘Come to the other side and we can begin. Put on your gloves.’
Claude pulled on the smaller gloves, bought specially for him, taking longer than he should because of his haste, grinning and jumping up and down a little on the spot. At last they were on.
After his father had supervised the washing of the man’s face, he allowed his son to lather and shave it – delighting in the care and attention the lad took. The corpse’s lips were cracked and a little dehydrated so, after the usual moisturising, Claude applied a little soft wax to even out the surface. The lips were firm and moved like rubber, displaying pale gums and a good set of teeth. When Claude had finished, his father helped him insert the plastic discs, which kept the shape of the eyes, under the eyelids, and then he mixed up glue to seal the eyes and mouth shut.
The body already looked healthier, more lifelike and yet not alive. Working from a photograph, it would be simple to render the man as fresh-faced in death as he had been before the accident. With his index finger Claude took a little foundation and began to dab it gently on the bruised flesh around the wound, which soon began to take on a natural fleshy tone. His father had cleaned out the dirt and used tape to close it. They worked closely together, their arms brushing one against the other, making them smile momentarily. Claude listened to his father’s breathing and caught the smell of garlic from his mouth.
By the time they had finished, the man looked as though he had a small, almost invisible scar on an otherwise flawless complexion.
‘He was a handsome man,’ said Signor Cousteau, holding up the photograph they had worked from. ‘More handsome in death than in life, don’t you think?’
‘Yes, father,’ replied Claude, sincerely.
‘Put a little rouge on the cheeks,’ said his father. ‘That’s right, and a little on the nose. Yes. Now, on the forehead and just a little on the chin. Perfect!’
‘Shall I put the lipstick on now, father?’
‘Do you think he needs it?’
‘Maybe a little,’ said the boy, more because he wanted to finish the job, not leaving anything out.
‘Very well. Just a little.’
The body was bruised where the seatbelt had been, but the family and friends would not see the torso of the deceased. The hands would need some attention, though, when he had been dressed.
‘Is it time?’ asked his father.
‘We have ten minutes more.’
‘We will finish after dinner in that case. It is always better not to rush. Do you have homework tonight?’
The boy hung his head a little. ‘Yes, father.’
‘Then I will come alone. Thank you for your assistance, my son.’
Claude looked up quickly and smiled at his father, who pretended to be busy with some clearing away.
After taking off their gloves and washing their hands with a special antiseptic soap, they left the building and went up towards the main house, in order to take a shower and be ready for their meal. Claude put an arm around his father’s waist and felt the weight and warmth of a large hand on his shoulder. The garden was cooler now that the sun had gone below the tops of the trees. It was different out in the fresh air, where people lived and moved. More complicated thoughts invaded Claude’s head and he wished he could go back and finish the work, so that he could avoid the distractions that now assaulted his mind.
His mother was draining the pasta when they entered, in the large traditional kitchen where she herself had grown up. She was still a beauty, it was said, and could have married into a grand Italian family. Instead, she had fallen in love with a Frenchman, who had never quite managed to make the required transition from one culture to another. He had come to Italy, for her, but his heart had never left France. So the story went. Claude knew the fairytale had not quite come true, but he was too young to understand why.
His mother’s house. That was what his father called it, even after all the years he had lived in it. Involuntarily, an idea came to Claude: he wondered what it would be like to see her on the long, narrow table, covered by a thin white sheet. Drawing it back, he would do his best to take away the harshness in her face, to soften her expression and make her look happy.
‘Be quick! The pasta will be ruined. Why can you never be on time!’ she said.
The men did not speak, but hurried upstairs to wash.
***
On the coastal path, Claude allowed a smile to spread across his face. Exactly which memory was the author of such a pleasant reaction, was impossible to surmise.

Review
By Ms BTI
Bev Spicer captured my interest once more with this excellent tale of suspense and intrigue set in south western France. The characters are well drawn and I liked the French flavour of the story. From the start it is clear that Claude Cousteau is a bad 'un and I kept wondering what he'd do next. English expatriate and divorcee Martha teaches English and through her work comes into contact with a wider group of locals. Then there's the solicitor, Maitre Dumas, another nasty piece of work. There's enough romance to lighten the mix, and I liked the feel of a small community where everyone knows everyone's business, or think they do. The ending leaves plenty of scope for a sequel.

About the Author
Bev Spicer is the author of five ebooks and two paperbacks. She also writes under the pen name B. A. Spicer.
Bev was born in a small market town in the Midlands, daughter to an observer for the Royal Air Force and her mother, a local beauty queen.
She was educated at Queens' College, Cambridge and became a lecturer at Anglia Ruskin University in 1997 moving to live in France with her husband and two of her children ten years later, where she writes full-time.
She is widely read and has travelled extensively, living in Crete, where she taught English and learned to speak Greek, and in the Seychelles, where she worked for the government and co-designed materials which were used to teach at secondary school level.
She is currently working on Stranded in the Seychelles, a humorous memoir and sequel to her best-selling Bunny on a Bike, of which One Summer in France is the prequel.

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