Showing posts with label Stephen Booth. Show all posts
Showing posts with label Stephen Booth. Show all posts

Wednesday, October 17, 2018

"Dead in the Dark" by Stephen Booth

GUEST POST and GIVEAWAY
Dead in the Dark
(Cooper & Fry Mystery Book 17)
by Stephen Booth

Dead in the Dark (Cooper & Fry Mystery Book 17) by Stephen Booth

Dead in the Dark is the seventeenth book in the Cooper & Fry Mystery series by Stephen Booth.


Dead in the Dark is currently on tour with Partners in Crime Virtual Book Tours. The tour stops here today for a guest post by the author, an excerpt, and a giveaway. Please be sure to visit the other tour stops as well.


Description
How do you prove a murder without a body?
Ten years ago, Reece Bower was accused of killing his wife, a crime he always denied. Extensive police searches near his home in Bakewell found no trace of Annette Bower's remains, and the case against him collapsed.
But now memories of the original investigation have been resurrected for Detective Inspector Ben Cooper – because Reece Bower himself has disappeared, and his new wife wants answers.
Cooper can't call on the Major Crime Unit and DS Diane Fry for help unless he can prove a murder took place – impossible without a body. As his search moves into the caves and abandoned mines in the isolated depths of Lathkilldale, the question is: who would want revenge for the death of Annette Bower?

Excerpt
Chapter One
No one wants to die in the dark. To lie alone in the blackness, feeling the chill of death creep slowly over you. Shut away from the light as the fear numbs your limbs and chokes the breath in your throat. The long, long sinking into the cold depths. And then to sense that slipping away. The final slipping away into nothing.
Do you feel that stab of pain as it shoots through your chest? Try to make your breathing more shallow. You have several broken ribs, a fractured arm, perhaps a punctured lung. You can hardly know, in the dark. But you can feel the internal bleeding, the seeping blood as it squeezes your internal organs, bloats your stomach and intestines. You know your injuries are fatal.
That fear of the dark is overwhelming. Because this is true darkness, an eternal night in which your eyes have become useless. Your heart thumps uselessly as you strain to see where you’re lying. You can sense space around you, a slight movement of icy air, a shifting of heavy masses, a solid weight way above your head. A sharp, stabbing pain is in your back from something hard you’re lying on. This isn’t a grave. But it is your tomb.
Does your fear of the dark make any sense? When you’re dead, you go into endless blackness. Yet you’ve always hoped you would get one last glimpse of the light, always prayed that you wouldn’t die alone.
Well, that’s not going to happen. There’s nothing for you to see here. Not a glimmer of light, not a flicker of hope. Only the darkness.
A creak and a rattling makes you freeze. Is someone here? Or some thing? But no . . . you breathe out and release the pain. The noise has quite a different meaning. It’s something huge shifting overhead. It signals the end, the approach of your death. You’re about to be crushed completely.
[Want more? Click below to read a longer excerpt. Please note the US and UK editions have different covers.]


Praise for the Book
“I love reading about these characters. I love the world in which Ben moves and I really enjoy the cases with which he is confronted. I always look forward to the next installment of this wonderful series.” ~ For Winter Nights
“An elegant reflection of what's happening in the country at large.” ~ The Book Bag
“This is an enjoyable, very readable yet understated crime novel by an accomplished author.” ~ Crime Fiction Lover
“The Peak District setting is as striking as ever ... the ever-present threat of violence will get under your skin.” ~ Real Crime
“Clever, beautifully written and superbly plotted, this is an entertaining page-turner with a compelling twist in the tail.” ~ Lancashire Evening Post*

Guest Post by the Author
Writing a Series
It seems hard to believe now - even for me! But twenty years ago, when I set out to write the first Cooper & Fry novel, Black Dog, I didn’t know I was writing a series.
At the time, I’d written some previous, unpublished novels which were standalones, and I had no particular reason to think that Black Dog would be any different, as I didn’t have a publishing contract for it.
Yet something different did happen. During the course of the writing, the central characters, my two young Derbyshire police detectives Ben Cooper and Diane Fry, leaped off the page and became completely alive for me. I was discovering who they were as I wrote about them and was finding them more and more interesting. By the time I got to the end of that first story, I knew there was a lot more I wanted to say about those two characters than I could possibly get into just the one book. 
This was lucky because all the publishers who were interested in Black Dog assumed it was the start of a series - and they wanted to know what the second book would be about! I already had ideas for number 2, Dancing with the Virgins, and that was what sealed my first two-book contract with HarperCollins.
Since then, I’ve never known how many books there were going to be in the Cooper & Fry series. I’ve never been in the position of someone like J. K. Rowling, who had all seven Harry Potter books planned out in advance. After those first two stories, publishers have kept asking me to write ‘two more books’, or sometimes ‘three more books’. Each time I’ve said ‘yes’ and signed the contract - without actually knowing what anything of those books would be about, except that they’d feature Ben Cooper and Diane Fry, and would be set in their ‘patch’, the beautiful and atmospheric Peak District.
So what kept me saying ‘yes’ without a plan? The characters, of course. As long I’ve felt that Ben and Diane were moving forward and developing, I’ve known that I could keep writing about them. Events are always happening in their lives, and they’ve aged over the course of 17 books (though quite slowly). It’s definitely the characters who have driven the overall story arc, without the author actually knowing where the series was heading.
This can create problems for me, as you might imagine. If I refer to an incident from Ben Cooper’s past, for example, I might find that I’ve contradicted something I wrote six or ten books ago. I’m lucky that I’ve had great editors who know the series and will spot my mistakes. And, if they don’t, readers will soon point them out!
It particularly applies to small details. Diane Fry got a new car in one book, changing to an Audi from the Fiat she’d been driving up to then. In the next book, I forgot that she had a new car, and she was back driving the Fiat. That was wrong in the early editions - but not once readers had begun writing to me to let me know my error!
But generally, it’s these small details which catch me out. The characters and their lives are so real to me still that they seem to know what they’re doing better than I do. Ben and Diane have become like old friends, who have existed in my head for twenty years now. I try to give them as much freedom as I can to get on with their lives.
So, I don’t try too hard to keep track - it would feel as though I was controlling them. Ben Cooper and Diane Fry have an independent existence, and they’ll decide where their storyline goes!

About the Author
Stephen Booth
A former newspaper journalist, British author Stephen Booth is the creator of two young Derbyshire police detectives, Ben Cooper and Diane Fry, who have appeared in 17 crime novels, all set in and around England's Peak District.








Giveaway
Enter the tour-wide giveaway for a chance to win one of three ebook copies of Secrets of Death by Stephen Booth (read my previous blog post).

Links

Tuesday, April 18, 2017

"Secrets of Death" by Stephen Booth

GUEST POST and GIVEAWAY
Secrets of Death
(Cooper & Fry Mystery Book 16)
by Stephen Booth


Secrets of Death, the sixteenth book in the Cooper & Fry Mystery series by Stephen Booth, is currently on tour with Partners in Crime Virtual Book Tours. The tour stops here today for a guest post by the author, an excerpt, and a giveaway. Please be sure to visit the other tour stops as well.


Description
Residents of the Peak District are used to tourists descending on its soaring hills and brooding valleys. However, this summer brings a different kind of visitor to the idyllic landscape, leaving behind bodies and secrets.
A series of suicides throughout the Peaks throws Detective Inspector Ben Cooper and his team in Derbyshire’s E Division into a race against time to find a connection to these seemingly random acts - with no way of predicting where the next body will turn up. Meanwhile, in Nottingham Detective Sergeant Diane Fry finds a key witness has vanished ...
But what are the mysterious Secrets of Death?
And is there one victim whose fate wasn’t suicide at all?

Excerpt
Chapter 1
Day 1
And this is the first secret of death. There’s always a right time and place to die.
It was important to remember. So important that Roger Farrell was repeating it to himself over and over in his head by the time he drew into the car park. When he pulled up and switched off the engine, he found he was moving his lips to the words and even saying it out loud – though only someone in the car with him would have heard it.
And he was alone, of course. Just him, and the package on the back seat.
There’s always a right time and place to die.
As instructed, Farrell had come properly equipped. He’d practised at home to make sure he got everything just right. It was vital to do this thing precisely. A mistake meant disaster. So getting it wrong was inconceivable. Who knew what would come afterwards? It didn’t bear thinking about.
Last night, he’d experienced a horrible dream, a nightmare about weeds growing from his own body. He’d been pulling clumps of ragwort and thistles out of his chest, ripping roots from his crumbling skin as if he’d turned to earth in the night. He could still feel the tendrils scraping against his ribs as they dragged through his flesh.
He knew what it meant. He was already in the ground. Ashes to ashes, dust to dust. Wasn’t that what they said at your graveside as they shovelled soil on to your coffin? The dream meant his body was recycling back into the earth. In his soul, he’d already died.
Farrell looked around the car park. There were plenty of vehicles here. Although it was the middle of the week, a burst of sunny weather had brought people out into the Peak District in their droves. They’d come to enjoy the special peace and beauty of Heeley Bank, just as he had.
Of course, in many other ways, they weren’t like him at all.
He let out a sigh of contentment. That was the feeling this scenery gave him. The green of the foliage down by the river was startling in its brightness. The farmland he could see stretching up the sides of the hills was a glowing patchwork between a tracery of dry-stone walls. Cattle munched on the new grass in the fields. Further up, a scattering of white blobs covered the rougher grazing where the moors began.
The sight of those sheep made Farrell smile. He’d always associated them with the Peaks. This landscape wouldn’t be the same without sheep. They’d been here for centuries, helping to shape the countryside. And they’d still be here long after he’d gone.
It really was so green out there. So very green.
But there’s always a right time and place.
A silver SUV had pulled into a parking space nearby. Farrell watched a young couple get out and unload two bikes from a rack attached to their vehicle. One of the bikes had a carrier on the back for the small girl sitting in a child seat in the car. She was pre-school, about two years old, wearing a bright yellow dress and an orange sun hat. Her father lifted her out, her toes wiggling with pleasure as she felt the warm air on her skin. The family all laughed together, for no apparent reason.
Farrell had observed people doing that before, laughing at nothing in particular. He’d never understood it. He often didn’t get jokes that others found hilarious. And laughing when there wasn’t even a joke, when no one had actually said anything? That seemed very strange. It was as if they were laughing simply because they were, well . . . happy.
For Roger Farrell, happy was just a word, the appearance of happiness an illusion. He was convinced people put on a façade and acted that way because it was expected of them. It was all just an artificial front. Deep down, no one could be happy in this world. It just wasn’t possible. Happiness was a sham – and a cruel one at that, since no one could attain it. All these people would realise it in the end.
With a surge of pity, Farrell looked away. He’d watched the family too long. Across the car park, an elderly man hobbled on two sticks, accompanied by a woman with a small pug dog on a lead. She had to walk deliberately slowly, so that she didn’t leave the man behind. The pug tugged half-heartedly at its lead, but the woman yanked it back.
These two had probably been married for years and were no doubt suffering from various illnesses that came with age. Did they look happy? Farrell looked more closely at their faces. Definitely not. Not even the dog.
He nodded to himself and closed his eyes as he leaned back in his seat. His breathing settled down to a steady rhythm as he listened to the birds singing in the woods, the tinkle of a stream nearby, the quiet whispering of a gentle breeze through the trees.
As the afternoon drew to a close, he watched the vehicles leave one by one. People were taking off their boots, climbing into cars and heading for home. All of them were complete strangers, absorbed in their own lives. They could see him, of course. An overweight middle-aged man with a receding hairline and a distant stare. But they would never remember him.
A few minutes later, a young man jogged past on to the woodland path, checking his watch as he ran, as if he knew the time was approaching. A black Land Rover eased into a spot opposite Farrell’s BMW, but no one emerged.
***
And finally, the lights went off in the information centre. A woman came out and locked the front doors. She took a glance round the car park, seemed to see nothing of any interest to her, and climbed into a Ford Focus parked in a bay reserved for staff. Farrell watched as she drove away.
When it was quiet and there were only a few cars left, he leaned over into the back seat and unzipped the holdall. Carefully, Farrell lifted out the gas canisters, uncoiling the plastic tubing as it writhed on to the seat. He placed the canisters in the footwell. They looked incongruous sitting there, painted in fluorescent orange with their pictures of party balloons on the side.
It had taken him a while to find the right brand of gas. Some manufacturers had started putting a percentage of air into the canisters, which made them quite useless for his purpose. That was when things went wrong, if you didn’t check and double-check, and make sure you got exactly the right equipment.
Still, you could find anything on the internet, as he well knew. Information, advice, someone to talk to who actually understood how you were feeling. And the inspiration. He would be nothing without that. He wouldn’t be here at Heeley Bank right now.
And this is the first secret of death. There’s always a right time and place to die.
Farrell said it again. You could never say it too often. It was so important. The most important thing in the world. Or in his world, at least.
He reached back into the holdall and lifted out the bag itself. He held it almost reverently, like a delicate surgical instrument. And it was, in a way. It could achieve every bit as much as any complicated heart operation or brain surgery. It could change someone’s life for the better. And instead of hours and hours of complicated medical procedures on the operating table, it took just a few minutes. It was so simple.
With black tape from a roll, he attached the tubing to the place he’d marked on the edge of the bag, tugging at it to make sure it was perfectly secure. Everything fine so far.
Farrell had spent days choosing a piece of music to play. The CD was waiting now in its case and he slid it out, catching a glimpse of his own reflection in the gleaming surface. He wondered what expression would be in his eyes in the last seconds.
Despite his reluctance to see himself now, he couldn’t resist a glance in his rearview mirror. Only his eyes were visible, pale grey irises and a spider’s web of red lines. His pupils appeared tiny, as if he were on drugs or staring into a bright light. And maybe he was looking at the light. Perhaps it had already started.
The CD player whirred quietly and the music began to play. He’d selected a piece of Bach. It wasn’t his normal choice of music, but nothing was normal now. It hadn’t been for quite a while. The sounds of the Bach just seemed to suit the mood he was trying to achieve. Peace, certainly. And a sort of quiet, steady progression towards the inevitable conclusion.
As the sun set in the west over Bradwell Moor, a shaft of orange light burst over the landscape, transforming the colours into a kaleidoscope of unfamiliar shades, as if the Peak District had just become a tropical island.
Farrell held his breath, awed by the magic of the light. It was one of the amazing things he loved about this area, the way it changed from one minute to the next, from one month to another. Those hillsides he was looking at now would be ablaze with purple heather later in the summer. It was always a glorious sight.
For a moment, Farrell hesitated, wondering whether he should have left it until August or the beginning of September.
And then it hit him. That momentary twinge of doubt exploded inside him, filling his lungs and stopping the breath in his throat until he gathered all his strength to battle against it. His hands trembled with the effort as he forced the doubt back down into the darkness. As the tension collapsed, his shoulders sagged and his forehead prickled with a sheen of sweat.
Farrell felt as though he’d just experienced the pain and shock of a heart attack without the fatal consequences. His lips twitched in an ironic smile. That meant he was still in control. He remained capable of making his own mind up, deciding where and when to end his life. He was able to choose his own moment, his own perfect location.
There’s always a right time and place to die.
Roger Farrell took one last glance out of the window as the light began to fade over the Peak District hills.
The place was here.
And the time was now.
[Want more? Click below to read a longer excerpt. Please note the US and UK editions have different covers.]


Praise for the Book
"Can hardly wait for the next one, and the next one. Love reading about this far away place (from me), engaging characters, places, and always well plotted." ~ fj
"Ben Cooper is a very patient investigator. He knows his territory very well. This is my 16th Cooper and Fry and I have loved them all." ~ Mary L
"love love love these books!" ~ Rebecca J. Owens
"Loved it, as always." ~ curlyred
"Booth's prose is polished and mesmerizing. He paints a verbal picture of the Peaks region that is really captures the reader. His characterization, at least of the major characters are definitive and realistic. I do like the bizarre relationship between Cooper and Fry, a love/hate kind of thing that attracts them together and then repels. The plot of Secrets of Death is fairly unique, with plenty of twists." ~ AvidMysteryReader

Guest Post by the Author
My Role as Library Champion
People often ask me how long I’ve been a writer. And the answer is "Always". My very first job after leaving college was as a trainee newspaper reporter, and I worked in journalism for a quarter of a century. Seventeen years ago I left the newspaper business, and now I’m one of those very lucky people who are able to make a livelihood writing novels. The Cooper and Fry series has been very good to me!
So I’ve never done anything else for a living but writing and editing. I’ve never thought of doing anything else. And some people – probably including my wife – would say that I’m not capable of doing anything else!
Yet you would never have expected this from my childhood. Surprisingly for someone who’s grown up to become a professional full-time author, as a child I grew up in a house that had almost no books in it. My parents didn’t read books. And it never seemed to occur to them it was something to encourage in their children either. But for me, once I’d learned the skill of reading, I wanted to read everything I could get my hands on. You know, when you’ve discovered this wonderful new ability you want to be able to use it, don’t you?
There were actually just two books which were available to me in our house when I was growing up. One of them was a Bible, of course. And the other was a book on fortune telling (no, I’m not sure why it was there either!). They were both big, heavily bound volumes with embossed covers, and wonderfully tactile. I can still feel them in my hands now when I think about them. I devoured every word of those two books, because they were all that was available to me. So I very soon found that I knew all the stories in the Old Testament, and I knew how to read fortunes from tea leaves or hold a séance.
Then one day, when my parents were out, I searched the house to try to find something else to read. And hidden away under some spare bedding I found another book. It was a copy of George Eliot’s Silas Marner. I was very young, but the fact that it was a novel created one of those "light bulb" moments you get in life sometimes. A light went off in my head telling me that somewhere there were endless fictional worlds waiting for me to discover as a reader.
But where was I going to find those books that I craved? My parents couldn’t have afforded to buy them, even if they wanted to. The only place I knew there would be books was in my local public library. So I pestered my parents until they enrolled me in the library, and I made sure they enrolled themselves too – not because I expected them to go to the library, but so I had adult tickets to use. I worked my way through the children’s section very quickly and soon moved on to the adult books, literally reading everything that caught my eye. Once I had access to that library, I just read and read and read.
So that little branch library was where I gained my love of books and reading. All those stories I read encouraged me to start writing my own at a very young age, and I completed my first novel when I was around 12 or 13 years old, resulting in the stupendous moment when I knew with certainty that I was going to be a writer when I grew up.
And not only that - a large part of my early education took place in that library, or through the books I was able to get access to. It made a huge difference to me as a child, and gave me a fantastic start in life. It enabled me to go on to get a good academic education, and I became the first member of my family to gain a university degree.
When I look back, I’m completely convinced that I wouldn’t be where I am now, earning a living as a successful writer, without the existence of that little branch library. It was an absolute life changer.
This is why I’m always sad and angry when I see public libraries closing, as they are all over the UK at the moment. I’m sure there must still be kids out there who, like me, don’t have access to books without the existence of a local library. By cutting the library service, we’re damaging the future potential of those young people. And libraries fulfil many other functions too. The poor, the elderly, the disabled, the unemployed – not to mention refugees and asylum seekers - are all disproportionately heavy library users. These are one of the few places where people from all sections of society can mix together in a safe and welcoming environment.
So I’ve been trying to do my bit for libraries ever since I was published and found myself in a position to help. I’ve done many library events over the years, visiting all parts of the UK, and a couple of libraries in the USA, too. Library staff know that author events bring people in, many of whom might never have visited their library before. I love meeting readers, of course, and as a writer I regard libraries as an essential asset, because they’re where readers discover new authors and can try a book by someone they’ve never heard.
Incidentally, we’re also lucky here in the UK that we have Public Lending Right, which pays out a small amount per loan to the author. A few thousand pounds each year from PLR can be a lifeline for many writers.
So I believe we should all be supporting libraries. Because of my publicly voiced support, I’ve been asked to take on roles for several library authorities in the Yorkshire and East Midlands regions of England. I love the title of "Library Ambassador"! I’ve opened new libraries, helped to raise funds for struggling branches, talked to readers about the importance of their library, and been a guest speaker at a Rotary International conference to raise awareness of the crisis facing the service. A few years ago I was appointed a Library Champion in support of the UK’s "Love Libraries" campaign. I’ve been sent by the British Council to represent English literature at the Helsinki Book Fair, and I’ve done online chats for World Book Day. I also visit prisons each year to talk to groups of inmates. Long-term prisoners are among the people for whom access to books and reading is most important.
Sadly, like everything else, money is very tight these days. Many libraries won’t survive without our support, and I think authors have a crucial part to play. We all owe a debt to libraries in one way or another, whether it’s in their role bringing books to the attention of readers, or in the life-changing way that my branch library was so important to me all those years ago. I’m thrilled and honoured to be in a position to give something back.
Oh, and that little branch library where I spent so much time as a child? I’m sorry to say that it closed years ago.

About the Author
A newspaper and magazine journalist for over 25 years, Stephen Booth was born in the English Pennine mill town of Burnley. He was brought up on the Lancashire coast at Blackpool, where he attended Arnold School. He began his career in journalism by editing his school magazine, and wrote his first novel at the age of 12. The Cooper & Fry series is now published by Little, Brown in the UK and by the Witness Impulse imprint of HarperCollins in the USA. In addition to publication in the US, Canada, Australia, and New Zealand, translation rights in the series have so far been sold in sixteen languages – French, German, Dutch, Italian, Swedish, Danish, Finnish, Norwegian, Spanish, Portuguese, Russian, Czech, Romanian, Bulgarian, Japanese, and Hebrew. Stephen left journalism in 2001 to write novels full time. He and his wife Lesley live in a village in rural Nottinghamshire, England (home of Robin Hood and the Pilgrim Fathers). They have three cats.
In recent years, Stephen Booth has become a Library Champion in support of the UK’s "Love Libraries" campaign, and a Reading Champion to support the National Year of Reading. He has also represented British literature at the Helsinki Book Fair in Finland, filmed a documentary for 20th Century Fox on the French detective Vidocq, taken part in online chats for World Book Day, and given talks at many conferences, conventions, libraries, bookshops and festivals around the world.

Giveaway
Enter the tour-wide giveaway for a chance to win one of three ebook copies of Secrets of Death by Stephen Booth.

Links