Showing posts with label Shelly Frome. Show all posts
Showing posts with label Shelly Frome. Show all posts

Monday, January 14, 2019

"Moon Games" by Shelly Frome


GUEST POST and GIVEAWAY
Moon Games
by Shelly Frome

Moon Games by Shelly Frome

Moon Games by Shelly Frome is currently on tour with Great Escapes Virtual Book Tours. The tour stops here today for a guest post, an excerpt, and a giveaway. Please be sure to visit the other tour stops as well.


For more books by this author, please check out my blog post on Murder Run and my blog post on The Secluded Village Murders.

Description
At the outset, Miranda Davis has nothing much going for her. The tourists are long gone by October in the quaint Carolina town of Black Mountain, her realty business is at a standstill, and her weekend stint managing the local tavern offers little to pull her out of the doldrums. When prominent church lady Cloris Raintree offers a stipend to look into the whereabouts of a missing girl hiker on the Q.T, Miranda, along with her partner Harry (an unemployed features writer) agree.
But then it all backfires. A burly figure shambles down a mountain slope with a semi-conscious girl draped over his shoulder. Miranda’s attempts to uncover Cloris Raintree’s true motives become near impossible as she puts up one smokescreen after another, including a slip of the tongue regarding an incident in Havana. The local police keep stonewalling and Harry is of little help.
Tarot cards left on Cloris’ doorstep and arcane prompts on her e-mail only exacerbate the situation. Growing more desperate over the captive girl’s fate, Miranda comes across a link to a cold case of arson and murder. With the advent of the dark of the moon, she is summoned to “Tower Time” as this twisty tale continues to run its course.

Excerpt
Bracing herself, Miranda hurried down the hall of the retirement complex, located Cloris Raintree’s quarters, ran her fingers through her short, floppy do, adjusted her blouse and bib overalls, and knocked.
She heard a faint “The door is open,” assumed time was still of the essence and barged in.
She took in the confines of the prescribed living space, a divan behind an antique coffee table, and an heirloom silver tea service with all the trimmings. At the same time, in marked contrast to herself, she noted the carefully coiffed do, high cheekbones, slender form and those cool blue eyes that kept reminding Miranda of women who always held sway since grade school. Cloris’s spiffy heather-green tailored pants suit and matching accessories only heightened the impression. Once again, Miranda was in the presence of an affluent pillar of the Montreat community with a lineage that went back to recorded memory.
“Well,” said Cloris, in that flinty, impatient voice of hers, still doing her level best to cover up the fact she was a sixty-year-old woman with a nervous condition. Younger than the other residents, but the nightmares she’d confided she’d been having were taking their toll.
Given the tacit understanding Miranda would have to continue being on her best behavior and keep pussyfooting around, she said, “Okay, I’m ready to be told what’s so important I had to drop everything.”
“Indeed,” Cloris countered, hanging on tight to an air of crisp, imperviousness. “Did you bring a map as I asked? As a realtor, I daresay you are apprised of every inch of this area.”
Reaching into the pocket of her overalls, Miranda whipped out a local map and laid it out on the coffee table so that Cloris could peruse it. “You bet. Here you go.”
“What I was given to believe . . . That is, it has been brought to my attention that a distraught, freshman girl student took it upon herself to go off on a hike as part of some independent, outward bound program.”
“Uh-huh. So, tell me, is she lost, is that it? And if so, where was she spotted last?” While politely keeping her distance, Miranda moved over to Cloris’s side.
“Precisely.” Bristling, then pulling back, Cloris modulated her tone. “In my view, with a cold front fast approaching, and given the fact she was recently seen heading back this way . . . past some old railroad trestle as I recall, on the way to Ridgecrest, and with twilight coming on in the next hour or so . . .”
Jumping in, Miranda took over, pointing things out regardless of any thoughts of propriety. “In that case, if she keeps going, she could eventually be intercepted by the old train depot here. Or, if she is so miffed and standoffish, she’d keep right on going on her way to Sunset. All tired out but jaunting higher till she finally reached the hiker’s shack up at Grey Eagle Crest where she could hole up for the night. Seeing that she’s a freshman and a probable out-of-towner, she must have been told about it as a shelter on her return hike.”
Getting nothing from Cloris except more impatient looks, and trying to lighten things up, Miranda said, “‘Come in, she said, I’ll give you shelter from the storm.’ ”
“I beg your pardon?” said Cloris, folding up the map and handing it back.
“Nothing. Just an old Bob Dylan song.”
“While the clock is ticking away? You think there’s time for this?”
“Sorry,” said Miranda, pocketing the map. She reminded herself that on this dull Monday she had nothing else going for her in the throes of the realty down- market in this sleepy Blue Ridge mountain town, especially with the tourist trade on hiatus this late in October. Plus, an exclusive on the old Raintree mansion was in the bag and this little escapade counts as an extra perk, assuming there would be some more coin to help tide her over.
She moved back to her position by the front door and tried again to lighten things up. “Look, this could be a lot simpler than you’re making it. Maybe, by now, the girl’s gotten this all out of her system and is a lot more amenable.”
Rising up, Cloris said, “I’ll have you know, it’s also been suggested that someone may be in pursuit. She may be in danger from more than an impending storm.”
“Imminent, you mean?”
“Is there any other kind?”
“Yeah, I guess under the circumstances, you never know.”
Miranda started to go and then turned back. “By the way. You never told me why you’re so involved.”
“How can you ask? As a deacon of the church who devoted a life coming to the aid of troubled and unfortunate creatures, don’t you think it is my Christian duty? And on top of that . . .”
“On top of that? You mean there’s more?”
Holding stock still and then suddenly retreating, Cloris hurried into an adjacent room, returned with what looked like a playing card and slapped it on the coffee table. “This was slipped under my door. Probably, to hazard a guess, sometime very early when they make the deliveries.”
Miranda went over, flipped it and saw that it was some kind of tarot card.
“Take it, discard it,” Cloris said, raising her voice. “Get it out of my sight!”
“But shouldn’t you notify the police?”
“Wonderful. Have the police come by and ask all kinds of questions. Set the gossip biddies around here spreading all kinds of rumors. Aspersions on my character, my condition, and the Raintree name. Take it away and let’s hear no more about it.”
“Sure, if you say so.”
“I do indeed. You are sworn to secrecy, Miranda Davis. Given your solemn word that my role in any of our dealings is strictly between the two of us.”
“Whatever. Yes, ma’am.”
Unable to take another withering glance from Cloris, Miranda pocketed the card and said, “Just wondering, that’s all. Just keeping tabs on things. Okay, I’m off, you’ll be hearing from me.”
Despite her misgivings, Miranda slipped out and retraced her steps down the hall. Trying to come to terms with the gambit she’d have to take, she reminded herself she couldn’t be at two places at once. Couldn’t fulfill her part-time obligation managing the Tavern and play hide-and-seek looking for an unsociable, meandering girl. And since she’d wangled a house-sitting stint for Harry, her sometimes partner, and since that cottage was close to the hikers’ shack if the girl managed to get that far . . . Yes, absolutely. It wouldn’t kill him to get here early. The simple solution was to hand the ball over.
Moving along to the car park, she’d almost convinced herself it was all a lot of fuss over nothing. Going to be a piece of cake.
But she couldn’t help wondering what was underneath Cloris’ church lady façade? What was really going on? And why anyone might be tailing this particular college student?
[Want more? Click below to read a longer excerpt.]


Praise for the Book
Moon Games can only be described as a dramatic, thrilling and exciting novel that will keep readers entertained, captivated and engrossed from the very first page. Mystery stories are currently my go-to read so when I read the description of Moon Games I knew that I had to read it as well as review it so that all you lovely readers could learn about it. Never before have I been so captivated by a mystery novel and this is thanks to the exceptional author Shelly Frome and his talented literature and so, if you are a reader who loves mystery and suspense reads then you will adore this adventure as it is stellar!” ~ Aimee Ann
“Frome creates a series of colorful characters who are drawn into this quest, most against their wills, but who, never-the-less, contribute their own special talents to what would ultimately prove to be a race to the finish, with more hairpin turns along the way than the drive along the Amalfi Coast. The famous “Malecon” drive along Havana’s Atlantic shore even plays an important role in the ultimate outcome of this complicated, yet gripping tale of revenge, regret, and greed, with a dash of the Zodiac (thus the Moon) thrown in for good measure.” ~ R. V. Helms
“Since I live in the town where this tale is set, I found it immensely fun to read. I also liked the strong female lead character, Miranda. She never gave up, despite set backs and people who were slow to believe her hunches and evidence. Good read!” ~ Ashley

Guest Post by the Author
Inklings of a Cultural Change
When I first came to Black Mountain from Connecticut a very few years ago, I had no idea what I was in for. At a stopover in Asheville, I was standing on the sidewalk, waiting for my Suburu station wagon to come careening around the bend from the parking garage of the Haywod Park Hotel. Presently, a matronly woman accosted me and said, “Are you lost, boy?” Slipping into my old actor’s ways by habit, picking up on regional accents, I said, “No, ma’am, I’m just waitin’ on my car, fixin’ to go to a potluck supper.” She countered with, “Boy, you can’t go to no potluck lest you brang somethin’.” I told her I was advised that a six-packet of good wine would be appreciated, and I happened to have one in the tote bag I was carrying. She hesitated, pondered for a while, then patted me on the shoulder. “Well, I reckon that’s all right then,” she said. “You go right ahead.”
As another example, when I moved into my new home with my golden/doodle Baxter, one Sunday morning the next thing I knew, an elderly gentleman across the street stopped me before I could get into the driver’s side of my car and said, “Shelly, I don’t know where you’re going this Sunday morning, but you appear to be not getting any younger. And there is only one path to eternity. And that’s the first Baptist Church. Not the other ones. Not the Independent, the Free Will or the Full Gospel but the biggest. The First.” And I said, “Don, Baxter and I were just trying to find our way to the Ingels Super Market. That’s as far as I was intending to go. There’s no food in the house.”
Needless to say, the more people I encountered, the more I began to appreciate the fact that every region had a distinct ambiance. And the garrulous folks in Western Carolina are much different than the cool, almost wary approach to strangers I was used to back in the Litchfield Hills. Those New Englanders had to get to know you first and, even then, were apt to keep anything too personal, let alone emotional, from creeping into any exchange. And so, the folks of Black Mountain and their ways began to creep into a novel that was forming in the back of my mind.


Shelly Frome
Shelly Frome is a member of Mystery Writers of America, a professor of dramatic arts emeritus at the University of Connecticut, a former professional actor, a writer of crime novels and books on theater and film. He is also a features writer for Gannett Media’s Black Mountain News. His fiction includes Sun Dance for Andy Horn, Lilac Moon, Twilight of the Drifter, Tinseltown Riff, Murder Run, and The Secluded Village Murders. Among his works of non-fiction are The Actors Studio and texts on The Art and Craft of Screenwriting and writing for the stage. Moon Games is his latest foray into the world of crime and the amateur sleuth. He lives in Black Mountain, North Carolina.


Giveaway
Enter the tour-wide giveaway for a chance to win one of three print copies of Moon Games by Shelly Frome (US only).

Links

Wednesday, November 7, 2018

"The Secluded Village Murders" by Shelly Frome


EXCERPT and GIVEAWAY
The Secluded Village Murders
by Shelly Frome

The Secluded Village Murders by Shelly Frome

The Secluded Village Murders by Shelly Frome is currently on tour with Partners in Crime Virtual Book Tours. The tour stops here today for an excerpt and a giveaway. Please be sure to visit the other tour stops as well.


For another book by this author, please check out my blog post on Murder Run.

Description
For tour guide Emily Ryder, the turning point came on that fatal early morning when her beloved mentor met an untimely death. It’s labeled as an accident and Trooper Dave Roberts is more interested in Emily than in any suspicions over Chris Cooper’s death. For Emily, if Chris hadn’t been the Village Planner and the only man standing in the way of the development of an apartment and entertainment complex in their quaint village of Lydfield, Connecticut, she might have believed it was an accident, but too many pieces didn’t fit.
As Emily heads across the pond for a prescheduled tour of Lydfield’s sister village, Lydfield-in-the-Moor, she discovers that the murderer may be closer than she thought.

Excerpt
Picking up speed, she passed the rows of Victorian houses with their pilastered front porches and attached shutters in homage to last century’s Colonial Revival. She’d grown up here, always lived here except for college and her transatlantic jaunts. But at this moment, her village might as well be a scattering of old photos.
Before she knew it, the rain was beating down harder, her wiper blades barely able to keep up. Among the nagging questions flitting through her mind was how could Miranda Shaw have suddenly gotten wind of her leaking roof? Or did somebody just put her up to it, to get Chris rushing pell- mell in the rain so he would . . .
Emily eased her foot off the pedal, barely able to see through the downpour. She switched the wipers on high and kept her eyes on the road, intent on avoiding an accident.
Minutes later, she pulled into Miranda Shaw’s place at a slow but steady crawl. As she reached the circular drive, straining her eyes through the thwacking blades, she peered up two stories above the stone archway.
There she caught sight of the familiar gangly figure climbing higher toward the peak of an eight-sided turret. At a point where the grayish-blue slate, copper flashing, and a mullioned window merged, the figure suddenly became a shuddering blur.
Emily honked her horn, blasting as loud as she could. But it was too late. The figure flopped over and slid down the turret, glanced off the aluminum ladder and toppled like a broken doll.
[Want more? Click below to read a longer excerpt.]


Praise for the Book
“The author had a great way of creating developed characters that felt like people you know and see around - which made the twist at the end all the more sweet. Especially with the dialogue! Those familiar with small-town Connecticut will appreciate the setting and find it familiar. All the right details are there to figure out the mystery - will you figure it out before the end? Highly recommend.” ~ Olivia Earnshaw
“I would call this an oddball mystery. The wit is dry and obscure. Clues are hidden in plain sight, if you are clever enough to notice them. I would not recommend trying to read this and another book at the same time. This mystery requires focus. I enjoyed it.” ~ Laura S Reading
“I really enjoyed this British cozy with the twist of having a young American as the amateur sleuth. The characters were well written, the setting sounded divine and the story had plenty of twists and turns.” ~ Mary Nickell
“If you prefer your murder mysteries to have more twists and turns than a steep mountain trail, The Secluded Village Murders is just what you’re looking for.” ~ R. V. Helms
“This is a classic British mystery in the great tradition of British mysteries. […] This had a very lovely setting, nice characters and a good plot. I enjoyed this new mystery and look forward to further work by this author. […] A enjoyable read!” ~ M. Davis

About the Author
Shelly Frome
Shelly Frome is a member of Mystery Writers of America, a professor of dramatic arts emeritus at the University of Connecticut, a former professional actor, a writer of crime novels and books on theater and film. He is also a features writer for Gannett Media. His fiction includes Sun Dance forAndy Horn, Lilac Moon, Twilight of the Drifter, Tinseltown Riff, Murder Run, and The Secluded Village Murders. Among his works of non-fiction are The Actors Studio and texts on The Art and Craft of Screenwriting and writing for the stage. He lives in Black Mountain, North Carolina.




Giveaway
Enter the tour-wide giveaway for a chance to win a $20 Amazon gift card.

Links

Saturday, May 28, 2016

"Murder Run" by Shelly Frome

INTERVIEW and GIVEAWAY
Murder Run
by Shelly Frome


Murder Run by Shelly Frome is currently on tour with Partners in Crime Virtual Book Tours. The tour stops here today for my interview with the author, an excerpt, and a giveaway. Please be sure to visit the other tour stops as well.


Description
In this crime novel, a wayward handyman grapples with the suspicious death of his employer, a fragile choreographer who secluded herself in the Litchfield Hills. As the fallout mounts, the reader is taken to various locales in and around Manhattan, an escapade in Miami Lakes and back again to the hills of Connecticut until this twisty conundrum is finally laid to rest.

Excerpt
Chapter One
“Wake up, pal, we got a situation . . . Hey, I’m talkin’ here. Maybe she makes it, maybe she don’t. I’m sayin’ you better move it!”
The voice came out of the past. The words cut into the here-and-now of the Connecticut night.
Left with just the dial tone, Jed Cooper hung up, got off the cot and tried to get his bearings. Though he’d been house-sitting this junk trailer for a while, he still had to grope around to find the pull cord for the lights. He waited a few seconds more and punched in the unlisted number of the she the guy must’ve been talking about.
It was busy.
He reached for his jeans, work boots and a pullover sweater, got dressed and called her number again. No luck. He hit redial three more times and gave up.
Scuffing past the frayed wires hanging across the water-stained ceiling, banging into the space heaters as he jerked open the little frig, he took a few swigs of bottled water and thought it over. There was no hope of getting a bead on who the street-wise caller was. And there was still only one person who could possibly need him at this hour and was close by. Plus, chances were the guy had disconnected her phone.
Jed straggled out into the March dampness, skirted around the rusty snow plow blade and hurried up the path. He slid behind the wheel of the Chevy pickup, cranked the old motor, gave it hardly any time to idle and took off onto Green Hill Road.
Off the beaten path in the Litchfield Hills there were no street lights. Under the misty cloud cover, his brights only made matters worse. And way out here his cell phone was useless.
Taking the dips and rises as best he could, he began to have second thoughts. Granted the guy had to be talking about Miss Julie. Putting aside what in God’s name he was doing at her place, what if he was laying in wait? And even if he’d split, what were the repercussions? Could Jed just tear into a single woman’s hidden drive this late at night? And then what? Check things out, or call up to her window to see if she was okay? Or, hoping no one had spotted him, ring her bell? Suppose he got no answer?
Besides, there were too many incidents already on his record. One more, and he’d had it.
But then again, she’d gotten so skittish today she didn’t even let him finish his chores. Told him to put down the chainsaw and completely changed her mind about clearing the drive. “If I can see the road, someone can see me,” she said. “I want you to go up to the attic and put a latch on the crawl space.”
But why? What was that all about? She didn’t say, wouldn’t tell him.
His pondering tapered off as he dealt with the pitted lane. Straining his eyes, he took an immediate left onto Nonnewaug Road coursing past the stands of maples.
For a second he caught a glimpse of what could’ve been a Lincoln parked by the side of the road. Not just any Lincoln though–a Continental, the vintage one with the single blade fenders and squared-off hood. It was another flickering memory out of the past but had no bearing right now. Or did it?
Focusing hard, keeping his mind on what he was doing, he made a sharp right. Gearing down, he spun his wheels navigating the muddy patches, shot forward as he cleared, eased onto the gravel, jerked the hand brake and killed the motor. He got out onto the drive at the side of the weathered cape, glanced up and spotted a flitting shadow under the gabled window. He’d wired-in motion detecting flood lights for her that should’ve lit up the area but nothing snapped on.
He thought of calling out. He thought of rushing over to the road to see if the Lincoln was still parked there partially hidden under the trees. He thought of putting this whole thing down to some kind of hoax.
Just as he was about to honk the horn and damn well do something, he heard the cellar door slam shut.
Yelling out, Jed reflexively ran around to the back in time to see a burly shape make for the tree line. Which was a stupid move, slogging through underbrush and waist-high weeds and briars. Plus, whoever it was had a hitch in his stride and couldn’t possibly know where he was or what he was doing.
Jed took off after him. But, despite everything, the guy kept changing direction. Like a gimpy street kid ducking down a dark alley and then darting here and there through the traffic. Like Jed himself used to do way back then.
Rushing straight ahead, Jed tripped over a tangle of bittersweet roots, warded off the sprays of honeysuckle lashing across his face and kept going until it finally dawned on him. Even if he caught up, the guy outweighed him and could take him out with a few punches. He was obviously leading Jed on, away from the house and it didn’t much matter in which direction.
Jed turned around and headed back for the cellar. Banging into things, he brushed past the mess the guy had made, located the breaker panel, flipped the switches and climbed the stairs as the lights came back on. He called her name as he passed the kitchen and cut around the dining room but there was no answer.
[Want more? Click below to read a longer excerpt.]


Praise for the Book
"I couldn’t put it down. The characters were well-written and true to life. Frome has created a puzzle worth solving with this mystery. It keeps the readers on their toes and makes one try to second guess what’s going on. I’m looking forward to more from Shelly Frome, and I highly recommend this story of Jed’s past and present dilemmas." ~ A McGraw
"Shelly Frome is a master storyteller and yarn spinner as he brings his expertise of screen and stage, acting, newspaper and magazine writing, as well as his years of experience as a play write and college drama professor. Go ahead make your day and add this exciting, engaging and descriptive novel to your library. Shelly Frome shoots from the hip and always hits his target. So, put on your seatbelt and hang on for a wild ride filled with unexpected twists and turns at every corner!!" ~ Gerry Corn
"Murder Run is a fascinating book. It unwinds like a coil. Things seem simple at first, but soon you find yourself in a jam like the main character, Jed, who is peculiarly vulnerable at a time when a friend is killed for knowing too much. Jed, like us, knows very little, but the story builds and leads in a remarkable number of directions. I like the way Frome gives us a sense of place in Connecticut hills and Manhattan corridors. Before we know it the mob enters to coagulate the action. We meet great characters, like Nathan the Wise, an operator, and Rocco, who dies not so young. It is what my learned friends call a good read." ~ Lee A. Jacobus
"Shelley Frome takes the reader from the rural hills of Connecticut deep into midtown Manhattan, from the lakes of Miami to the docks in New Jersey. With huge bouts of suspicion and conspiracy, that keep you coming back until the very end. At one point compassion for an aging mafia messenger with oncoming Alzheimer’s, a teenage girl with psychic aspirations, and the murder victim herself who simply saw too much. You will get caught up in all that is Murder Run!" ~ Becky Ryan-Willis
"I was pretty darn pleased with this novel. It was my first introduction to Shelly Frome, and I’m going to go out on a limb and say it won’t be my last." ~ Kristin

Interview With the Author
Shelly Frome joins me today to discuss his new book, Murder Run.
For what age group do you recommend your book?
If the reviews on Amazon are any indication, readers over, say, sixteen years of age who enjoy a combination of mystery and crime fiction would easily be able to relate to this percolating tale. Then again, those who prefer a traditional cozy might very well welcome the change.
What sparked the idea for this book?
Someone very close to me passed away in the middle of the night for no apparent reason. I turned to crime fiction because it was the only way I could pursue some sense of justice in a seemingly random world.
So which comes first? The character's story or the idea for the novel?
A haunting set of circumstances is, doubtless, the only viable springboard for me and then coming up with a sympathetic, embattled character to carry out a seemingly impossible quest.
What was the hardest part to write in this book?
The hardest part was transforming the actual victim into a fictitious character so that I could allow the story to become self-generating and keep myself and my own feelings from getting in the way.
How do you hope this book affects its readers?
I hope readers will be able to relate to Jed’s plight (the embattled main character) and become involved in an odyssey that takes him from a sleepy Connecticut village to the mean streets of New York and back again.
What is your writing routine?
A lot of daydreaming comes into play, unfinished business, and a point every day when I have to rewrite, or push the narrative forward, or both.
How did you get your book published?
Luckily, I’m one of the few writers of crime fiction on my publisher’s list and he always seems to like my latest project. Hopefully, he’ll continue to be encouraging because he realizes how much time, effort, and caring is involved.  
What advice do you have for someone who would like to become a published writer?
Find your niche and your unique voice, read everything you can relate to in what seems to be your genre, and keep up with the marketplace in every way you can. If you’re able to latch onto a seasoned editor you can trust, so much the better as you discover your strengths and weaknesses and continue to polish your craft.
Great advice. Please tell us a bit about your childhood.
Since my father passed away when I was only three and my mother always seemed to be preoccupied, I seemed to have developed a strong curiosity about the world, along with a sense of wonder.
Did you like reading when you were a child?
I loved reading stories, any kind of stories including comic books. For some reason, I was chosen by my grade school teachers as the class reader, the one who could hold everyone’s attention and bring the tales alive.  
When did you first realize you wanted to be a writer?
I received my first inkling when my classmates in junior high school in Miami kept asking me to write cliffhangers during study hall to keep them amused.
Which writers have influenced you the most?
I suppose it was Salinger, Hemingway, Ray Bradbury, James Lee Burke, even Kate Atkinson and P. D. James - anyone with a distinctive way of transporting you into a compelling set of circumstances nothing like my own, replete with characters I could care about.
Do you hear from your readers much? What kinds of things do they say?
If nothing else, they all seem to have been engrossed enough to read my work from start to finish. Some of them keep telling me my stories are like seeing a good movie. Which may stem from the fact that I’ve written a book on screenwriting and a Hollywood novel and am the movie columnist for Southern Writers Magazine.
What can we look forward to from you in the future?
I’m currently in the throes of making my copy editor happy making changes for a transatlantic cozy entitled Murder Crosses the Pond that will be released in the fall.
Thank you for taking the time to stop by today, Shelly. Best of luck with your future projects.

About the Author
Shelly Frome is a member of Mystery Writers of America, the film columnist at Southern Writers Magazine, a professor of dramatic arts emeritus at the University of Connecticut, a former professional actor, and a writer of crime novels and books on theater and film. His fiction includes Sun Dance for Andy Horn, Lilac Moon, Twilight of the Drifter, and Tinseltown Riff. Among his works of non-fiction are The Actors Studio and texts on The Artand Craft of Screenwriting and writing for the stage. Murder Run, his latest crime novel, was recently released. He lives in Black Mountain, North Carolina.

Giveaway
Enter the tour-wide giveaway for a chance to win one of three ebook copies of Murder Run by Shelly Frome (US only).

Links